Abstract: Introduction Valentina Vitali / Paul Willemen PART I: THEORIES History, Textuality, Nation: Kracauer, Burch, and Some Problems in the Study of National Cinema--Phil Rosen The National Revisited--Paul Willemen Reconceptualizing National Cinema/s--Stephen Crofts PART II: HISTORIES Italian Cinema and History--Maria Wyke Russia: The Cinema of Anti-Modernity and Backward Progress --Mikhail Iampolski National Cinema in Ireland--Martin McLoone British Cinema as National Cinema--John Hill Ozu and the Nation--Kathe Geist The Break-up of the National Body: the Films of Takashi--MiikeMika Ko Taiwan New Cinema, or a Global Nativism?--Kuan-Hsing Chen From National Cinema to Cinema and the National: Chinese-Language Cinema and Hou Hsiao Hsien's 'Taiwan Trilogy'--Chris Berry 'We're in the Money!': A Brief History of Market Power and Risk-Aversion in the American Film Industry from the Edison Trust to the Rise of Transnational Media Conglomerates-- David A. Cook National and Post-National French Cinema--Martine Danan From Cine-mania to Blockbusters and Trans-Cinema: Reflections on Recent South Korean Cinema--Soyoung Kim The Hidden Conscience of Estimated Palestine--Elia Suleiman PART III: CROSSROADS Early Cinema and Modernity in Latin America--Ana M. Lopez The Quest for / Obsession with / the National in Arabic Cinema--Sabry Hafez National/International/Transnational: The Concept of Trans-Asian Cinema and the Cultural Politics of Film Criticism--Mitsuhiro Yoshimoto Not a Biography of the 'Indian Cinema': Historiography and the Question of National Cinema in India--Valentina Vitali On the National in African Cinema/s: a Conversation--John Akomfrah Spaces of Identity: Communication Technologies and the Reconfiguration of Europe--David Morley / Kevin Robins Bibliographic Resource Paul Willemen / Valentina Vitali
Publication Year: 2006
Publication Date: 2006-01-01
Language: en
Type: book
Indexed In: ['crossref']
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Cited By Count: 182
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