Title: O que é público não é de vocês: A ATBC e os Modelos de Gestão dos Grupos de Teatro em São Paulo
Abstract: This dissertation deals with the formation and consolidation of management models for theater groups and companies from the first half of the 20th century until the end of the 1960s based on their relationships with public and private entities since the transition between semiprofessional, amateur and student groups, to companies that have their own headquarters -such as TBC and other ones oiginated from prominent artists who left TBC, such as Cacilda Becker, Nydia Lícia-Sergio Cardoso and Tônia-Celi-Autran -bringing its developments until present times, where such relations and possible scope seem still poorly established, with theatrical actions being realized through a dependence on weak laws and policies that can be interrupted at any moment.