Publication Information

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[420], 'Capdevila': [421], 'Nuevas': [422], 'poéticas': [423], 'históricas': [424], 'en': [425, 993], 'las': [426], 'bienales': [427], 'de': [428, 991, 996, 1004], 'arte.': [429], 'Arte': [430], 'y': [431, 436, 989, 1008], 'acción': [432], 'social,': [433], 'Arte,': [434], 'Individuo': [435], 'Sociedad': [437], '32,': [438, 1489, 2085], '865–883.https://doi.org/10.5209/aris.63799Matthew': [442], 'Paskins': [443], 'science': [446], 'its': [448], 'utopian': [449], 'reconstructions,': [450], 'Philosophy': [455, 1844], 'Science': [457], 'Part': [458], '81': [460], '(Jun': [461, 473, 544, 558, 969, 982, 1103, 1112, 1350, 1354, 1469, 2259, 2303], '82–95.https://doi.org/10.1016/j.shpsa.2019.08.001Kevin': [463], 'Brazil': [464], 'Lateness': [465], 'Lessness,': [467], 'Modern': [468, 694, 731, 885, 1539, 1747], 'Language': [469, 1540, 1748, 2075, 2295], '81,': [471], '219–241.https://doi.org/10.1215/00267929-8151585Richard': [475], 'D.': [476], 'G.': [477], 'Irvine': [478, 2290], 'An': [479], 'Anthropology': [480, 581, 2144, 2300], 'Deep': [482], '21': [484], '2020).https://doi.org/10.1017/9781108867450Christian': [486], 'Kloeckner': [487], 'Schuld/en,': [488], 'or:': [489], 'Renegotiating': [490], 'Debt': [491], 'Guilt': [493], 'US': [495], 'Culture': [496, 1021, 1334, 1662], 'After': [497, 541], '2007/08': [499], 'Financial': [500], 'Crisis,': [501], 'KulturPoetik': [502], '20,': [503, 1052], '108–122.https://doi.org/10.13109/kult.2020.20.1.108Spencer': [507], 'P': [508], 'Cherasia': [509], 'Affordances,': [510], 'remediation,': [511], 'digital': [513], 'mourning:': [514], 'comparative': [516], 'case': [517], 'two': [520], 'AIDS': [521], 'memorials,': [522], 'Memory': [523, 1667], '3': [525], '175069801989468.https://doi.org/10.1177/1750698019894686Chamsy': [528], 'el-Ojeili': [529], 'Margins': [530], 'II:': [531], 'New': [533, 637, 1223, 1362, 1499, 1713], 'Communism,': [534], '2019):': [536, 586, 643, 666, 671, 682], '115–146.https://doi.org/10.1007/978-3-030-32516-9_5Rahime': [537], 'Çokay': [538, 547], 'Nebioğlu': [539, 548], 'Dystopia': [540, 551], 'Late': [542], 'Capitalism,': [543, 1568], '43–64.https://doi.org/10.1007/978-3-030-43145-7_3Rahime': [546], 'Conclusion:': [549, 973], 'Contemporary': [550], 'as': [552, 1790, 1877, 1961], 'Art': [554, 901], 'Possible,': [557], '179–195.https://doi.org/10.1007/978-3-030-43145-7_8Nazlı': [560], 'Özkan': [561], 'Representing': [562, 1692], 'Religious': [563], 'Discrimination': [564], 'at': [565, 602, 821, 1911], 'Margins:': [567], 'Temporalities': [568, 2130, 2293], '“Appropriate”': [570], 'Identities': [571, 2283], 'State': [574], 'Turkey,': [576], 'PoLAR:': [577], 'Political': [578, 1572, 2141], 'Legal': [580, 2143], 'Review': [582, 639, 678, 698, 1124, 1275, 1714, 2145], '42,': [583, 909, 2167], '317–331.https://doi.org/10.1111/plar.12313Desmond': [587], 'Manderson': [588], 'Danse': [589], 'Macabre,': [590], '9': [591], '2019).https://doi.org/10.1017/9781316665985João': [593], 'Sarmento,': [594], 'Denis': [595], 'Linehan': [596], 'Colonial': [598, 1894], 'Hotel:': [599], 'spacing': [600], 'violence': [601], 'Grande': [604], 'Hotel,': [605], 'Beira,': [606], 'Mozambique,': [607], 'Environment': [608, 2200], 'D:': [611, 2203], 'Society': [612, 1023, 1167, 1226, 1296, 1437, 1515, 2204], 'Space': [614, 2206], '37,': [615, 1646], '2018):': [618, 706, 723, 727, 734, 739, 746, 752, 760, 764, 771, 775, 779, 796, 912], '276–293.https://doi.org/10.1177/0263775818800719Joe': [619], 'Conway': [620], 'Currencies': [621], 'Control:': [623], 'Black': [624], 'Mirror,': [625], 'Monetary': [631], 'Policies': [632], 'Dystopia,': [634], 'CR:': [635], 'Centennial': [638], '19,': [640], '229–254.https://doi.org/10.14321/crnewcentrevi.19.1.0229Brian': [644], 'Irwin': [645], 'Abstract': [646], 'City:': [647], 'Phenomenological': [649], 'Basis': [650], 'Failures': [653], 'Modernist': [655], 'Urban': [656, 2081, 2253], 'Design,': [657], 'Aesthetics': [660], 'Phenomenology': [662], '41–58.https://doi.org/10.1080/20539320.2019.1587963Zachary': [667], 'Samalin': [668], '(': [670, 681, 957, 962], '59.https://doi.org/10.1007/978-3-030-24158-2_3Michael': [672], 'S.': [673], 'Paulson': [674], 'European': [676, 1585], 'Romantic': [677], '30,': [679, 2257], 'no.5-65-6': [680], '595.https://doi.org/10.1080/10509585.2019.1672548Jonah': [683], 'Jeng': [684], 'Narrating': [685], 'Labor:': [686], 'Holy': [687], 'Motors': [688], 'Form': [691], 'Working': [695], 'Day,': [696], 'Film': [700, 1698, 1716], 'Video': [702, 1700], '35,': [703, 1438], 'no.77': [704, 1228], '706–721.https://doi.org/10.1080/10509208.2018.1461000Zahra': [707], 'Taheri': [708], 'Bodily': [709], 'Liminality': [710], 'Post-Racialism': [712], 'Zadie': [714], 'WHITE': [716], 'TEETH,': [717], 'Explicator': [719], '76,': [720], '114–117.https://doi.org/10.1080/00144940.2018.1472543': [724], 'Introduction,': [725, 798, 1370, 1757, 1955], '1–33.https://doi.org/10.1215/9780822371922-001': [728], 'Adventures': [729], 'Dwelling,': [732], '34–57.https://doi.org/10.1215/9780822371922-002': [735], 'Passionate': [736], 'Journeys,': [737], '60–94.https://doi.org/10.1215/9780822371922-003': [740], 'God': [742], 'We': [743, 1381], 'Trust,': [744], '99–137.https://doi.org/10.1215/9780822371922-004': [747], 'Technologies': [748], 'Wonder,': [750, 1906], '138–171.https://doi.org/10.1215/9780822371922-005': [753], 'Timeless': [754], 'Imperatives,': [755], 'Obsolescence,': [756], 'Salvage,': [758], '172–205.https://doi.org/10.1215/9780822371922-006': [761], 'Conclusion,': [762, 848, 1419, 2022], '206–215.https://doi.org/10.1215/9780822371922-007': [765], 'Tenacity': [767], 'Hope,': [769], '216–218.https://doi.org/10.1215/9780822371922-008': [772], 'Notes,': [773, 859, 1353, 2026], '219–246.https://doi.org/10.1215/9780822371922-009': [776], 'References,': [777, 863, 1725], '247–264.https://doi.org/10.1215/9780822371922-010Ayşe': [780], 'MERMUTLU': [781], 'HIZ': [782], 'SEMPTOMLARI:': [783], 'GEÇ-MODERN': [784], 'ZAMAN': [785], 'REJİMİNDE': [786], 'BELİRSİZLİK,': [787], 'DOLAYIMSIZLIK,': [788], 'EŞZAMANSIZLIK,': [789], 'Fırat': [790], 'Üniversitesi': [791], 'Sosyal': [792], 'Bilimler': [793], 'Dergisi': [794], '245–260.https://doi.org/10.18069/firatsbed.387934': [797], '2017):': [800, 809, 816, 828, 833, 840, 846, 850, 857, 861, 865, 925, 953, 958, 963, 970, 983], '1–34.https://doi.org/10.1215/9780822372202-001': [801], 'Aurality': [802], 'Long': [805], 'American': [806, 1517, 1729], 'Century,': [807, 1968, 2310], '35–61.https://doi.org/10.1215/9780822372202-002': [810], 'Companions': [811], 'Calling,': [814], '62–129.https://doi.org/10.1215/9780822372202-003': [817], 'Verses': [818], 'Flows': [820], 'Dawn': [823], 'Mexico,': [826], '130–197.https://doi.org/10.1215/9780822372202-004': [829], 'Regional': [830, 2083, 2255], 'Sounds,': [831], '198–231.https://doi.org/10.1215/9780822372202-005': [834], 'From': [835, 2223], 'Potosí': [836], 'Tennessee,': [838], '232–277.https://doi.org/10.1215/9780822372202-006': [841], 'Huapango': [842], 'sin': [843], 'Fronteras,': [844], '278–315.https://doi.org/10.1215/9780822372202-007': [847], '316–326.https://doi.org/10.1215/9780822372202-008': [851], '“Born': [852], 'U.S.A.”,': [855], '327–330.https://doi.org/10.1215/9780822372202-009': [858], '361–386.https://doi.org/10.1215/9780822372202-010': [862], '387–409.https://doi.org/10.1215/9780822372202-011SUNIL': [866], 'PURUSHOTHAM': [867], 'WORLD': [868], 'HISTORY': [869], 'IN': [870, 878], 'THE': [871, 879, 1233, 1240], 'ATOMIC': [872], 'AGE:': [873], 'PAST,': [874], 'PRESENT': [875], 'AND': [876, 1238, 2112], 'FUTURE': [877], 'POLITICAL': [880], 'THOUGHT': [881], 'OF': [882], 'JAWAHARLAL': [883], 'NEHRU,': [884], 'Intellectual': [886], '2016):': [891, 1013, 1027, 1043, 1055, 1087, 1096, 1104, 1113, 2187, 2210], '837–867.https://doi.org/10.1017/S1479244316000093C.': [892], 'J.': [893], 'W.-L.': [894], 'WEE': [895], 'Body': [896, 1073], 'Communication:': [898], '‘Ordinary’': [900], 'Tang': [903], 'Da': [904], 'Wu,': [905], 'Theatre': [906], 'International': [908, 2078, 2250], '286–306.https://doi.org/10.1017/S0307883317000591Benita': [913], 'Parry': [914], 'Constraints': [916], 'Chibber’s': [918], 'Criticism,': [919], 'Historical': [920, 2195], 'Materialism': [921, 2196], '25,': [922, 2207], '185–206.https://doi.org/10.1163/1569206X-12341513Julie': [926], 'McLeod': [927], 'Marking': [928], 'time,': [929, 1310, 2177], 'making': [930], 'methods:': [931], 'untimely': [934], 'dilemmas': [935], 'sociology': [938], 'youth': [940], 'educational': [942], 'change,': [943], 'British': [944], 'Sociology': [947, 2166], 'Education': [949], '38,': [950], '13–25.https://doi.org/10.1080/01425692.2016.1254541Jonathan': [954], 'Dettman': [955], '29.https://doi.org/10.1007/978-3-319-63055-7_2Daniel': [959], 'Grausam': [960], '117.https://doi.org/10.1007/978-3-319-63055-7_7Christina': [964], 'Chau': [965, 972, 1191], 'Peculiar': [967], '1–19.https://doi.org/10.1007/978-981-10-4705-3_1Christina': [971], 'Consciousness': [974], 'Time:': [976, 1738], 'Looking': [977], 'Back': [978], 'Moving': [980], 'Forward,': [981], '137–146.https://doi.org/10.1007/978-981-10-4705-3_8Carlos': [984], 'Arturo': [985], 'Salamanca': [986], 'Villamizar': [987], 'Estados': [988], 'espacio': [990, 1007], 'excepción': [992], 'una': [994], 'zona': [995], 'la': [997], 'frontera': [998], 'del': [999], 'Caribe': [1000], 'colombiano,': [1001], 'Geopolítica(s).': [1002], 'Revista': [1003], 'estudios': [1005], 'sobre': [1006], 'poder': [1009], '7,': [1010, 2217, 2284], '227–250.https://doi.org/10.5209/GEOP.52234Anders': [1014], 'Ekström': [1015], 'Remediation,': [1016], 'Disaster,': [1019], 'Theory,': [1020], '33,': [1024], '117–138.https://doi.org/10.1177/0263276415625336Boram': [1028], 'Jeong': [1029], 'Production': [1031], 'Indebted': [1033], 'Subjects:': [1034], 'Capitalism': [1035], 'Melancholia,': [1037], 'Deleuze': [1038, 1708], '10,': [1040], '336–351.https://doi.org/10.3366/dls.2016.0230Jonathan': [1044], 'Crisman': [1045], 'future': [1047], 'with': [1048, 1201], 'characteristics,': [1050], 'City': [1051], '645–649.https://doi.org/10.1080/13604813.2016.1142302Harriet': [1056], 'Poppy': [1057], 'Stilley': [1058], '“White': [1059], 'pussy': [1060], 'is': [1061], 'nothin': [1062], 'but': [1063], 'trouble”:': [1064], 'Hypermasculine': [1065], 'Hysteria': [1066], 'Displacement': [1069], 'Feminine': [1072], 'Cormac': [1075, 1081], "McCarthy's": [1076], 'Child': [1077], 'God,': [1079], 'McCarthy': [1082], '96–116.https://doi.org/10.5325/cormmccaj.14.1.0096Per': [1088], 'Drougge': [1089], 'Notes': [1090], 'Toward': [1091], 'Coming': [1093], 'Backlash,': [1094], '(Oct': [1095, 1254, 1440, 1546, 1703, 1754], '167–179.https://doi.org/10.1007/978-3-319-44019-4_12Paola': [1097], 'Botham': [1098], 'Twenty-First-Century': [1100], 'Play,': [1102], '81–103.https://doi.org/10.1057/978-1-137-48403-1_5Garfield': [1105], 'Benjamin': [1106, 2321], 'Absent': [1108], 'Subject:': [1109], 'objet': [1110], 'a-vatar,': [1111], '111–148.https://doi.org/10.1057/978-1-137-58449-6_4Roumen': [1114], 'Dimitrov': [1115], 'Silence': [1116], 'invisibility': [1118], 'public': [1120], 'relations,': [1121], 'Public': [1122, 1333, 2272], 'Relations': [1123], '2015):': [1128, 1154, 1171, 1181, 1189], '636–651.https://doi.org/10.1016/j.pubrev.2014.02.019Martin': [1129], 'Young,': [1130], 'Francis': [1131], 'Markham,': [1132], 'Arianne': [1133], 'C.': [1134], 'Reis,': [1135], 'James': [1136], 'E.S.': [1137], 'Higham': [1138], 'Flights': [1139], 'fantasy:': [1141], 'reformulation': [1143], 'flyers’': [1146], 'dilemma,': [1147], 'Annals': [1148], 'Tourism': [1150], '54': [1152], '1–15.https://doi.org/10.1016/j.annals.2015.05.015Anne': [1155], 'Kaun': [1156], 'Regimes': [1157], 'time:': [1159, 1215], 'Media': [1160, 1224, 2215], 'practices': [1161], 'dispossessed,': [1164], '24,': [1168, 1467], '221–243.https://doi.org/10.1177/0961463X15577276Ewa': [1172], 'Mazierska': [1173], 'Setting': [1175], 'Popular': [1176, 1432, 1434, 1661], 'Motion,': [1179], '1–24.https://doi.org/10.1057/9781137463388_1Lisa': [1182], 'Ruddick': [1183], 'When': [1184], 'Nothing': [1185], 'Is': [1186, 1374], 'Cool,': [1187], '71–85.https://doi.org/10.1057/9781137505965_5Christina': [1190], 'Movement': [1192], 'Nexus': [1197], 'Technological': [1199, 1216], 'Modes': [1200], 'Jean': [1202], 'Tinguely’s': [1203], 'Kineticism,': [1204], 'Arts': [1205], '3,': [1206], '2014):': [1209, 1230, 1255, 1285, 1300, 1319, 1338], '394–406.https://doi.org/10.3390/arts3040394Anne': [1210], 'Kaun,': [1211], 'Fredrik': [1212], 'Stiernstedt': [1213], 'Facebook': [1214], 'institutional': [1218], 'affordances': [1219], 'media': [1221], 'memories,': [1222], '16,': [1227, 2051], '1154–1168.https://doi.org/10.1177/1461444814544001': [1231], 'READING': [1232], 'SICK': [1234], 'CRITIC:': [1235], 'DEATH,': [1236], 'DISEASE,': [1237], 'REVOLUTION': [1239], 'ALREADY': [1241], 'DEAD': [1242], 'BY': [1243], 'ERIC': [1244], 'CAZDYN': [1245], 'Duke': [1246], 'Press': [1248], '2012,': [1250], 'Cultural': [1251, 1280, 1465, 1605, 1666], 'Critique': [1252, 1606], '88': [1253], '189–202.https://doi.org/10.5749/culturalcritique.88.2014.0189Simon': [1256], 'Orpana': [1257], 'Law': [1259], 'Its': [1261], 'Illicit': [1262], 'Desires:': [1263], 'Transversing': [1264], 'Free': [1265], 'Market': [1266], 'Claustrophobia': [1267], 'Zombie': [1270], 'Imaginary': [1271, 1850], 'Dredd': [1273], '3-D,': [1274], 'Education,': [1277], 'Pedagogy,': [1278], '36,': [1282], '298–319.https://doi.org/10.1080/10714413.2014.938568Michelle': [1286], 'Bastian': [1287], 'community:': [1290], 'scoping': [1292], 'study,': [1293], '137–166.https://doi.org/10.1177/0961463X14527999Laura': [1301], 'Bear': [1302], 'Doubt,': [1303], 'conflict,': [1304], 'mediation:': [1305], 'anthropology': [1307, 2159], 'modern': [1309], 'Royal': [1314], 'Anthropological': [1315], 'Institute': [1316], '20': [1317], '3–30.https://doi.org/10.1111/1467-9655.12091Robert': [1320], 'P.': [1321], 'Marzec': [1322], 'Militarized': [1323], 'Ecologies:': [1324], 'Visualizations': [1325], 'Environmental': [1327], 'Struggle': [1328], 'Brazilian': [1331, 1983], 'Amazon,': [1332], '233–255.https://doi.org/10.1215/08992363-2392048Jin': [1339], 'Fan': [1340], 'semiotic': [1342], 'significance': [1343], 'space,': [1346], 'Neohelicon': [1347], '40,': [1348], '2013):': [1351, 1355, 1368, 1372, 1378, 1387, 1392, 1401, 1406, 1412, 1417, 1421, 1425, 1492], '543–558.https://doi.org/10.1007/s11059-013-0199-4': [1352], '227–244.https://doi.org/10.1017/CBO9780511902727.008Edward': [1356], 'Kasperski': [1357], 'History?': [1361], 'Historicism?,': [1363], 'Tekstualia': [1364], '1,': [1365, 2313], '181–201.https://doi.org/10.5604/01.3001.0013.6138': [1369], '1–8.https://doi.org/10.1215/9780822395935-001': [1373], 'Modernity': [1375, 1789], 'Multiple?,': [1376], '11–22.https://doi.org/10.1215/9780822395935-002': [1379], 'Do': [1380], 'Still': [1382], 'Need': [1383], 'Renaissance?,': [1385], '23–36.https://doi.org/10.1215/9780822395935-003': [1388], "Contemporaneity's": [1389], 'Heterochronicity,': [1390], '37–50.https://doi.org/10.1215/9780822395935-004': [1393], 'Visual': [1394], 'Iconic': [1398], 'Turn,': [1399], '53–75.https://doi.org/10.1215/9780822395935-005': [1402], "Bruegel's": [1403], 'Crows,': [1404], '77–105.https://doi.org/10.1215/9780822395935-006': [1407], 'Mimesis': [1408], 'Iconoclasm,': [1410], '107–138.https://doi.org/10.1215/9780822395935-007': [1413], 'Impossible': [1414], 'Distance,': [1415], '139–172.https://doi.org/10.1215/9780822395935-008': [1418], '173–175.https://doi.org/10.1215/9780822395935-009': [1422], 'Bibliography,': [1423, 1951, 2030, 2318], '177–198.https://doi.org/10.1215/9780822395935-010Keith': [1426], 'Negus': [1427], 'Narrative': [1428], 'Song,': [1433], '2012):': [1441, 1470, 1522, 1564], '483–500.https://doi.org/10.1080/03007766.2011.567918Kgomotso': [1442], 'Michael': [1443, 1651], 'Masemola': [1444, 1652], 'Reverie': [1445], 'qua': [1446], 'worldliness': [1447], 'wilderness': [1450], 'texts:': [1451], 'autobiographical': [1453], 'fiction': [1454], "Es'kia": [1456], 'Mphahlele': [1457], 'N.': [1459], 'Chabani': [1460], 'Manganyi,': [1461], '55–72.https://doi.org/10.1080/13696815.2012.666896Monica': [1471], 'Seger': [1472], 'Unattainable': [1473], 'horizons:': [1474], 'On': [1475], 'history,': [1476], 'man': [1477], 'land': [1479], 'films': [1482], 'Ciprì': [1484], 'Maresco,': [1486], 'Italianist': [1488], '256–272.https://doi.org/10.1179/026143412X13442661823692BRIGID': [1493], 'COHEN': [1494], 'Diasporic': [1495], 'Dialogues': [1496], 'Mid-Century': [1498], 'York:': [1500], 'Stefan': [1501], 'Wolpe,': [1502], 'George': [1503], 'Russell,': [1504], 'Hannah': [1505], 'Arendt,': [1506], 'Historiography': [1509], 'Displacement,': [1511], '143–173.https://doi.org/10.1017/S1752196312000028Tobias': [1523], 'Menely': [1524], '“The': [1525], 'Present': [1526], 'Obfuscation”:': [1527], "Cowper's": [1528], 'Task': [1529], 'Climate': [1534], 'Change,': [1535], 'PMLA/Publications': [1536, 1744], 'Association': [1541, 1749], 'America': [1543, 1751], '127,': [1544], '477–492.https://doi.org/10.1632/pmla.2012.127.3.477Hester': [1548], 'Baer': [1549], 'Das': [1550], 'Boot': [1551], 'Cinema': [1555], 'Neoliberalism1,': [1557], '85,': [1561], '(Feb': [1563, 2240], '18–39.https://doi.org/10.1111/j.1756-1183.2012.00135.xWayne': [1565], 'Hope': [1566], 'Economy': [1573], 'Communication,': [1575], '2011):': [1577, 1593, 1609, 1649, 1681], '521–540.https://doi.org/10.1002/9781444395402.ch24John': [1578], 'Scanlan': [1579], 'Fragments': [1580], 'Memory,': [1584], '15,': [1590], '19–29.https://doi.org/10.1080/13825577.2011.553830': [1594], 'Are': [1595], 'Your': [1596], 'Children': [1597], 'Old': [1598], 'Enough': [1599], 'Learn': [1601], 'about': [1602], 'May': [1603], "'68?,": [1604], '78': [1607], '60–87.https://doi.org/10.5749/culturalcritique.78.2011.0060Mike': [1610], 'Kgomotso': [1611], 'Masemola,': [1612], 'Phil': [1613], 'Mpho': [1614], 'Chaka': [1615], '(T)races': [1616], 'terrorism': [1618], 'beyond': [1619], 'ports': [1620], 'entry:': [1622], 'retrospective': [1624], 'assessment': [1625], 'limits': [1628], 'profiling': [1630], 'regulation': [1633], 'airport': [1635], 'passenger': [1636], 'traffic': [1637], 'during': [1638], '2010': [1640], 'FIFA': [1641], 'World': [1642, 1846], 'Cup,': [1643], 'Dynamics': [1645], '178–192.https://doi.org/10.1080/02533952.2011.570002Kgomotso': [1650], 'Between': [1653], 'Tinseltown': [1654], 'Sophiatown:': [1656], 'Double': [1658], 'Temporality': [1659], 'Autobiographical': [1665], 'Bloke': [1669], 'Modisane': [1670], 'Miriam': [1672], 'Makeba,': [1673], '27,': [1678], '1–27.https://doi.org/10.1080/02564718.2011.557226CAITLIN': [1682], 'MANNING,': [1683], 'JULIE': [1684], 'SHACKFORD-BRADLEY': [1685], 'Subjects': [1687], 'Motion:': [1689], 'Strategies': [1690], 'Globalization': [1693], 'Film,': [1695], '62,': [1701], '2010):': [1704, 1723, 1733], '36–52.https://doi.org/10.5406/jfilmvideo.62.3.0036Duncan': [1705], 'Chesney': [1706], 'Rancière,': [1707], 'contemporary': [1710], 'film': [1711], 'aesthetics,': [1712], 'Television': [1718], '8,': [1720], '22–40.https://doi.org/10.1080/17400300903529315': [1724], 'Bulletin': [1726], 'Latin': [1728], '29': [1731], '160–167.https://doi.org/10.1111/j.1470-9856.2009.00344.xKerstin': [1734], 'Barndt': [1735, 1882], 'Layers': [1736], 'Industrial': [1739], 'Ruins': [1740, 1781, 1806, 1876], 'Exhibitionary': [1742], 'Temporalities,': [1743], '125,': [1752], '134–141.https://doi.org/10.1632/pmla.2010.125.1.134': [1756], '2009):': [1759, 1764, 1771, 1779, 1786, 1795, 1802, 1811, 1817, 1827, 1839, 1854, 1859, 1867, 1873, 1880, 1892, 1900, 1908, 1915, 1920, 1928, 1933, 1943, 1949, 1953, 1957, 1970, 1975, 1987, 1992, 1999, 2007, 2013, 2020, 2024, 2028, 2032, 2038], '1–14.https://doi.org/10.1215/9780822390749-001': [1760], 'Authentic': [1761], 'Ruins,': [1762, 1852, 1865, 1918], '17–28.https://doi.org/10.1215/9780822390749-002': [1765], 'Air': [1766], 'War': [1767], 'Architecture,': [1769, 1777], '29–40.https://doi.org/10.1215/9780822390749-003': [1772], 'Modernism': [1773], 'Destruction': [1775], '41–57.https://doi.org/10.1215/9780822390749-004': [1780], 'Avant-Garde,': [1784], '58–85.https://doi.org/10.1215/9780822390749-005Andreas': [1787], 'Schönle': [1788], '“Destroyed': [1792], 'Anthill”,': [1793], '89–103.https://doi.org/10.1215/9780822390749-006Russell': [1796], 'A.': [1797, 2172], 'Berman': [1798], 'Democratic': [1799], 'Destruction,': [1800], '104–117.https://doi.org/10.1215/9780822390749-007Jonathan': [1803], 'Bolton': [1804], 'Republic,': [1809], '118–132.https://doi.org/10.1215/9780822390749-008Amir': [1812], 'Eshel': [1813], 'Layered': [1814], '133–150.https://doi.org/10.1215/9780822390749-009Lucia': [1818], 'Saks': [1819], 'Cities,': [1820], 'Citizenship,': [1821], 'other': [1823], 'Joburg': [1824], 'Stories,': [1825], '151–165.https://doi.org/10.1215/9780822390749-010Julia': [1828], 'Hell': [1829], 'Imperial': [1830], 'Ruin': [1831, 1930], 'Gazers,': [1832], 'or': [1833], 'Why': [1834], 'Did': [1835], 'Scipio': [1836], 'Weep?,': [1837], '169–192.https://doi.org/10.1215/9780822390749-011Todd': [1840], 'Samuel': [1841], 'Presner': [1842], 'Hegel’s': [1843], 'via': [1848], 'Sebald’s': [1849], '193–211.https://doi.org/10.1215/9780822390749-012Jon': [1855], 'Beasley-Murray': [1856], 'Vilcashuamán,': [1857], '212–231.https://doi.org/10.1215/9780822390749-013Daniel': [1860], 'Herwitz': [1861], 'Monument': [1863], '232–243.https://doi.org/10.1215/9780822390749-014Rahul': [1868], 'Mehrotra': [1869], 'Simultaneous': [1870], 'Modernity,': [1871], '244–249.https://doi.org/10.1215/9780822390749-015Helmut': [1874], 'Puff': [1875], 'Models,': [1878], '253–269.https://doi.org/10.1215/9780822390749-016Kerstin': [1881], '“Memory': [1883], 'Traces': [1884], 'Abandoned': [1887], 'Set': [1888], 'Futures”,': [1890], '270–293.https://doi.org/10.1215/9780822390749-017': [1893], 'Melancholy': [1895], 'Fordist': [1897], 'Nostalgia,': [1898], '294–320.https://doi.org/10.1215/9780822390749-018': [1901], 'Dr.': [1902], 'Strangelove’s': [1903], 'Cabinet': [1904], '321–338.https://doi.org/10.1215/9780822390749-019': [1909], 'Invisible': [1910], 'Glance,': [1913], '339–353.https://doi.org/10.1215/9780822390749-020': [1916], 'Foundational': [1917], '357–374.https://doi.org/10.1215/9780822390749-021': [1921], 'Promise': [1923], 'Ruin,': [1926], '375–394.https://doi.org/10.1215/9780822390749-022': [1929], 'Cinema,': [1931], '395–417.https://doi.org/10.1215/9780822390749-023': [1934], 'Place': [1936], 'Rubble': [1938], 'Trümmerfilm,': [1941], '418–438.https://doi.org/10.1215/9780822390749-024': [1944], '439–457.https://doi.org/10.1215/9780822390749-025': [1950], '459–487.https://doi.org/10.1215/9780822390749-026': [1954], '1–28.https://doi.org/10.1215/9780822391098-001': [1958], 'What': [1959, 2190], 'Counts': [1960], '“Country”?': [1962], 'Rural': [1963, 1996, 2010], 'Performativity': [1964], 'Twentieth': [1967], '29–56.https://doi.org/10.1215/9780822391098-002': [1971], 'Country': [1972], 'Brothers,': [1973], '57–82.https://doi.org/10.1215/9780822391098-003': [1976], 'Mixture,': [1977], 'Sadness,': [1978], 'Intimacy': [1980], 'Musical': [1984, 2034], 'Field,': [1985], '83–107.https://doi.org/10.1215/9780822391098-004': [1988], 'Hick': [1989], 'Dialogics,': [1990], '108–135.https://doi.org/10.1215/9780822391098-005': [1993], 'Teleologies': [1994], 'Disappearance,': [1997], '136–161.https://doi.org/10.1215/9780822391098-006': [2000], 'Digital': [2001], 'Droplets': [2002], 'Analogue': [2004], 'Flames,': [2005], '162–185.https://doi.org/10.1215/9780822391098-007': [2008], 'Producing': [2009], 'Locality,': [2011], '186–210.https://doi.org/10.1215/9780822391098-008': [2014], 'Hicks': [2015], 'World,': [2018], '211–238.https://doi.org/10.1215/9780822391098-009': [2021], '239–249.https://doi.org/10.1215/9780822391098-010': [2025], '251–266.https://doi.org/10.1215/9780822391098-011': [2029], '269–283.https://doi.org/10.1215/9780822391098-012': [2033], 'Cited,': [2036], '267–267.https://doi.org/10.1215/9780822391098-014Michael': [2039], 'Welch': [2040], 'Ordering': [2041], 'Iraq:': [2042], 'Reflections': [2043], 'Power,': [2045], 'Discourse,': [2046], 'Neocolonialism,': [2048], 'Criminology': [2050], '2008):': [2054, 2088, 2107, 2121, 2149, 2170], '257–269.https://doi.org/10.1007/s10612-008-9060-xNATHALIE': [2055], 'BOUCHER,': [2056], 'MARIANA': [2057], 'CAVALCANTI,': [2058], 'STEFAN': [2059], 'KIPFER,': [2060], 'EDGAR': [2061], 'PIETERSE,': [2062], 'VYJAYANTHI': [2063], 'RAO,': [2064], 'NASRA': [2065], 'SMITH': [2066], 'Writing': [2067, 2227], 'Lines': [2069], 'Connection:': [2071], 'Unveiling': [2072], 'Strange': [2074], 'Urbanization,': [2077], '989–1027.https://doi.org/10.1111/j.1468-2427.2008.00827.x': [2089], 'Eli': [2090], 'Park': [2091], 'Sorensen': [2092], 'Imagination:': [2096], 'Postcolonial': [2097], 'Migrant': [2100], 'Literature,': [2101], 'Cross-Cultural': [2102], '12,': [2104], '17–41.https://doi.org/10.21049/ccs.2008.12.2.17BERBER': [2108], 'BEVERNAGE': [2109], 'PRESENCE,': [2111], 'HISTORICAL': [2113], 'INJUSTICE,': [2114], '47,': [2118], '149–167.https://doi.org/10.1111/j.1468-2303.2008.00444.xJustin': [2122], 'B.': [2123], 'Richland': [2124], 'Sovereign': [2125], 'Storied': [2127], 'Moments:': [2128], 'Law,': [2132], 'Tradition,': [2133], 'Ethnography': [2135], 'Hopi': [2137], 'Tribal': [2138], 'Court,': [2139], 'PoLAR': [2140], '31,': [2146], '8–27.https://doi.org/10.1111/j.1555-2934.2008.00004.xBhrigupati': [2150], 'Singh': [2151], 'Aadamkhor': [2152], 'Haseena': [2153], '(The': [2154], 'Man-Eating': [2155], 'Beauty)': [2156], 'moment,': [2162], 'Contributions': [2163], 'Indian': [2165], '249–279.https://doi.org/10.1177/006996670804200203Robert': [2171], 'Dodgshon': [2173], "Geography's": [2174], 'place': [2175], 'Geografiska': [2178], 'Annaler:': [2179], 'Series': [2180], 'B,': [2181], 'Human': [2182], 'Geography': [2183], '90,': [2184], '1–15.https://doi.org/10.1111/j.1468-0467.2008.00272.xReecia': [2188], 'Orzeck': [2189], 'Does': [2191], 'Not': [2192], 'Kill': [2193], 'You:': [2194], 'Body,': [2199], '496–514.https://doi.org/10.1068/d2704Helen': [2211], 'Graham': [2212], 'Post-pleasure,': [2213], 'Feminist': [2214], '2007):': [2220, 2241], '1–15.https://doi.org/10.1080/14680770601103662Debjani': [2221], 'Ganguly': [2222], 'Empire': [2224], 'Empire?': [2226], 'Transnational': [2229], 'Anglo-Indian': [2230], 'Self': [2231], 'Australia,': [2233], 'Intercultural': [2236], '28,': [2238], '27–40.https://doi.org/10.1080/07256860601082913STEPHEN': [2242], 'GRAHAM': [2243], 'Cities': [2244], "'War": [2247], "Terror',": [2249], '2006):': [2260], '255–276.https://doi.org/10.1111/j.1468-2427.2006.00665.xZala': [2261], 'Volcic': [2262], '‘The': [2263], 'Machine': [2264], 'that': [2265], 'Creates': [2266], 'Slovenians’:': [2267], 'Role': [2269], 'Slovenian': [2271, 2279], 'Broadcasting': [2273], 'Re-affirming': [2275], 'Re-inventing': [2277], 'National': [2280, 2282], 'Identity,': [2281], '2005):': [2287], '287–308.https://doi.org/10.1080/14608940500201847Judith': [2288], 'T.': [2289], 'Say': [2291], 'When:': [2292], 'Ideology,': [2296], 'Linguistic': [2299], '2004):': [2304, 2316], '99–109.https://doi.org/10.1525/jlin.2004.14.1.99Urmi': [2305], 'Bhowmik': [2306], 'Globalizing': [2307], 'Eighteenth': [2309], 'Literature': [2311], 'Compass': [2312], '**–**.https://doi.org/10.1111/j.1741-4113.2004.00064.x': [2317], '():': [2319, 2325], '273–284.https://doi.org/10.1215/9780822372462-010Garfield': [2320], 'Appearance,': [2322], 'Absence,': [2323], 'Art,': [2324], '118–138.https://doi.org/10.4018/978-1-4666-8384-6.ch006': [2326]}, 'cited_by_api_url': 'https://api.openalex.org/works?filter=cites:W2008368395', 'counts_by_year': [{'year': 2024, 'cited_by_count': 12}, {'year': 2023, 'cited_by_count': 12}, {'year': 2022, 'cited_by_count': 8}, {'year': 2021, 'cited_by_count': 15}, {'year': 2020, 'cited_by_count': 37}, {'year': 2019, 'cited_by_count': 25}, {'year': 2018, 'cited_by_count': 21}, {'year': 2017, 'cited_by_count': 27}, {'year': 2016, 'cited_by_count': 15}, {'year': 2015, 'cited_by_count': 6}, {'year': 2014, 'cited_by_count': 11}, {'year': 2013, 'cited_by_count': 16}, {'year': 2012, 'cited_by_count': 12}], 'updated_date': '2024-12-21T12:49:15.930612', 'created_date': '2016-06-24'}