Publication Information

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'abstract_inverted_index': {'Acknowledgments': [0], 'Contributors': [1], 'Introduction': [2], 'Jennifer': [3], 'C.': [4, 229], 'Post': [5], 'Part': [6, 42, 80, 133, 176, 232, 300, 335, 378], 'I': [7], 'Commodification': [8], 'and': [9, 34, 46, 51, 55, 62, 83, 87, 94, 129, 136, 172, 180, 188, 199, 223, 235, 248, 256, 294, 303, 312, 319, 328, 338, 345, 368, 381, 400, 409, 415, 422, 436], 'Consumption': [10], '1.': [11], 'Sultans': [12], 'of': [13, 30, 37, 59, 97, 191, 202, 226, 241, 259, 277, 290, 308, 315, 351, 371], 'Spin:': [14], 'Syrian': [15], 'Sacred': [16], 'Music': [17, 33, 61, 113, 145, 284, 367, 394, 406], 'on': [18], 'the': [19, 28, 35, 73, 88, 95, 123, 141, 154, 164, 189, 200, 257, 278, 286, 313, 349], 'World': [20, 144], 'Stage': [21], 'Jonathan': [22, 40], 'H.': [23], 'Shannon': [24], '2.': [25], 'Sounds': [26], 'Like': [27], 'Mall': [29], 'America:': [31], 'Programmed': [32], 'Architectonics': [36], 'Commercial': [38], 'Space': [39], 'Sterne': [41], 'II': [43], 'Cultural': 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'L.': [116], 'Keyes': [117], '7.': [118], 'The': [119, 149, 205, 238, 306], 'Frame': [120], 'Drum': [121], 'Middle': [124], 'East:': [125], 'Women,': [126], 'Musical': [127, 160, 246, 275], 'Instruments': [128, 311], 'Power': [130], 'Veronica': [131], 'Doubleday': [132], 'IV': [134], 'Globalization': [135], 'Glocalization': [137], '8.': [138], 'On': [139], 'Redefining': [140], "'Local'": [142], 'through': [143], 'Jocelyne': [146], 'Guilbault': [147], '9.': [148], 'Canned': [150], 'Sardine': [151], 'Spirit': [152], 'Takes': [153], 'Mic': [155], 'Marina': [156], 'Roseman': [157], '10.': [158], 'A': [159], 'Instrument': [161], 'Travels': [162], 'Around': [163], 'World:': [165], 'Jenbe': [166], 'Playing': [167], 'Bamako,': [169], 'West': [170], 'Africa,': [171], 'Beyond': [173], 'Rainer': [174], 'Polak': [175], 'V': [177], 'Media,': [178], 'Technology,': [179, 187], 'Technoculture': [181], '11.': [182], 'Mozart': [183], 'Mirrorshades:': [185], 'Ethnomusicology,': [186], 'Politics': [190], 'Representation': [192, 247], 'Rene': [193], 'T.': [194], 'A.': [195], 'Lysloff': [196], '12.': [197], 'Technology': [198, 227], 'Production': [201], 'Islamic': [203], 'Space:': [204], 'Call': [206], 'to': [207, 362], 'Prayer': [208], 'Singapore': [210], 'Tong': [211], 'Soon': [212], 'Lee': [213], '13.': [214], 'Acting': [215], 'Up,': [216], 'Talking': [217], 'Tech:': [218], 'New': [219, 254], 'York': [220], 'Rock': [221], 'Musicians': [222], 'Their': [224], 'Metaphors': [225], 'Leslie': [228], 'Gay,': [230], 'Jr.': [231], 'VI': [233], 'Nationalism': [234, 242], 'Transnationalism': [236], '14.': [237], 'Sonic': [239], 'Dimensions': [240], 'China:': [245], 'Transformation': [249], 'Sue': [250], 'Tuohy': [251], '15.': [252], "Russia's": [253], 'Anthem': [255], 'Negotiation': [258], 'National': [260], 'Martin': [263], 'Daughtry': [264], '16.': [265], "'Mezanmi,": [266], 'Kouman': [267], 'Nou': [268], 'Ye?': [269], 'My': [270], 'Friends,': [271], 'How': [272], 'Are': [273], "You?':": [274], 'Constructions': [276], 'Haitian': [279], 'Transnation': [280], 'Gage': [281], 'Averill': [282], "17.'Indian'": [283], 'Diaspora:': [287], 'Case': [288], 'Studies': [289], 'Chutney': [291], 'Trinidad': [293], 'London': [296], 'Tina': [297], 'K.': [298], 'Ramnarine': [299], 'VII': [301], 'Place': [302, 399], 'Embodiment': [304, 307], '18.': [305], 'Salsa:': [309], 'Musicians,': [310], 'a': [316, 352, 360], 'Latin': [317], 'Style': [318], 'Patria': [321], 'Roman-Velazquez': [322], '19.': [323], 'Dueling': [324], 'Landscapes:': [325], 'Singing': [326], 'Places': [327], 'Identities': [329, 340], 'Highland': [331], 'Bolivia': [332], 'Tom': [333], 'Solomon': [334], 'VIII': [336], 'Racial': [337], 'Ethnic': [339], '20.': [341], 'American': [342], 'Indian': [343], 'Reggae:': [346], 'Dancing': [347], 'To': [348], 'Beat': [350], 'Different': [353], "Drummer'": [354], 'Neal': [355], 'Ullestad': [356], '21.': [357], 'From': [358], "'I'm": [359], "Lapp'": [361], "'I": [363], 'am': [364], 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