Publication Information

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[607], 'Animation': [608], '9,': [609], '299–316.https://doi.org/10.1177/1746847714545939David': [613], 'Moore': [614], 'Death': [615], 'or': [616, 1011, 1496], 'Dearth': [617], 'Democracy': [619], 'Zimbabwe?,': [621], 'Africa': [622], 'Spectrum': [623], '49,': [624], '(Feb': [626, 1055], '101–114.https://doi.org/10.1177/000203971404900106Felicity': [628], 'Gee': [629, 657], 'angura': [631], 'diva:': [632], 'Toshio': [633], "Matsumoto's": [634], 'dialectics': [635], 'perception.': [637], 'Photodynamism': [638], 'affect': [640], 'Funeral': [642], 'Parade': [643], 'Roses,': [645], 'Japanese': [648], 'Korean': [650], '6,': [652, 795], '55–73.https://doi.org/10.1080/17564905.2014.929409Felicity': [656], 'Surrealist': [658], 'Legacies,': [659], '2013):': [661, 671], '572–589.https://doi.org/10.1002/9781118324882.ch29Begoña': [662], 'Simal-González': [663], 'Of': [664], 'Gourds': [666], 'Secret': [668], 'Senses,': [669], '123–152.https://doi.org/10.1057/9781137329240_7': [672], '김여진': [673], 'Maxine': [674], 'Hong': [675], "Kingston's": [676], 'Woman': [678], 'Warrior:': [679], 'Endowing': [680], 'Voice': [681, 1460], 'Subaltern': [684], 'Women': [685], 'Narrativesz,': [689], 'Cultural': [694, 1051, 1376, 1487], '5,': [696], '2012):': [699, 716, 728, 732, 738, 743, 748, 753, 760, 764, 768], '63–84.https://doi.org/10.15732/jecs.5.2.201212.63Ato': [700], 'Quayson': [701], 'Cambridge': [703], 'Literature,': [707, 722, 1155], '2012).https://doi.org/10.1017/CHOL9781107007031Victor': [709], 'Li': [710], 'Primitivism': [711], 'literature,': [714], '982–1005.https://doi.org/10.1017/CHOL9781107007031.011Michael': [717], 'Niblett': [718], 'World-Economy,': [719], 'World-Ecology,': [720], 'World': [721], 'Green': [723], 'Letters': [724], '16,': [725], '15–30.https://doi.org/10.1080/14688417.2012.10589097': [729], '1–47.https://doi.org/10.1215/9780822394372-000': [733], 'Moving': [735], 'Lens,': [736], '49–118.https://doi.org/10.1215/9780822394372-001': [739], 'Engaging': [740], 'Photography,': [741, 758], '119–166.https://doi.org/10.1215/9780822394372-002': [744], 'Eye': [745], 'Witness,': [746], '167–216.https://doi.org/10.1215/9780822394372-003': [749], 'Just': [750], 'Regard,': [751], '217–263.https://doi.org/10.1215/9780822394372-004': [754], 'Practice': [756, 1500], '264–313.https://doi.org/10.1215/9780822394372-005': [761], '315–339.https://doi.org/10.1215/9780822394372-006': [765], 'Bibliography,': [766, 1314], '341–350.https://doi.org/10.1215/9780822394372-007Eddie': [769], 'Bertozzi': [770], 'still': [772], 'life': [773], 'wildest': [776], 'things:': [777], 'Magic(al)': [778], 'contemporary': [781], 'cinema': [783], 'reconfiguration': [786], 'jishizhuyi': [789], 'style,': [790], '153–172.https://doi.org/10.1386/jcc.6.2.153_1Ileana': [799], 'Dimitriu': [800], '"Why': [801], 'we': [803], 'suddenly': [804], 'talking': [805], 'about': [806], 'god?"': [807], 'spiritual': [809], 'turn': [810], 'recent': [812, 1485], 'critical': [813], 'writing,': [814], 'Current': [815], '22,': [817], '2010):': [820, 884], '123–145.https://doi.org/10.1080/1013929X.2010.9678338Barbara': [821], 'Klonowska': [822], 'Far': [823], 'away': [824], 'present:': [827], 'Polish': [831], 'film,': [832], 'Eastern': [835], 'European': [836], '183–196.https://doi.org/10.1386/seec.1.2.183_1Dario': [842], 'Llinares': [843], 'Idealized': [844], 'Heroes': [845], "'Retrotopia':": [847], 'Identity': [849, 1464], 'Apollo': [854], '13,': [855], 'Sociological': [857], '57,': [859], 'no.1_suppl1_suppl': [860], '2009):': [862, 1056], '164–177.https://doi.org/10.1111/j.1467-954X.2009.01823.xAnny': [863], 'Wynchank': [864], 'Le': [865], 'Franc': [866], 'Djibril': [868], 'Diop': [869], 'Mambety,': [870], 'une': [871], 'ré-invention': [872], 'du': [873], 'cinéma': [874], 'africain,': [875], 'Revue': [876], "l'Université": [878], 'Moncton': [880], '40,': [881], '(Oct': [883, 1491], '33–57.https://doi.org/10.7202/044605arDavid': [885], 'E.': [886], 'Apter': [887], 'theatre:': [890], 'an': [891], 'alternative': [892], 'view': [893], 'rationalities': [896], 'power,': [898], '2006):': [900, 918], '218–256.https://doi.org/10.1017/CBO9780511616839.008Lydie': [901], 'Moudileno': [902], '?Arme': [905], 'miraculeuse?': [906], 'for': [907, 1326], 'Novel?,': [910], '37,': [915], '28–41.https://doi.org/10.2979/RAL.2006.37.1.28Christopher': [919], 'Warnes': [920, 934], 'hermeneutics': [922], 'vagueness,': [924], '41,': [929], '2005):': [932, 948], '1–13.https://doi.org/10.1080/17449850500062733Christopher': [933], 'Naturalizing': [935], 'Supernatural:': [937], 'Faith,': [938], 'Irreverence': [939], 'Compass': [944], '2,': [945], '**–**.https://doi.org/10.1111/j.1741-4113.2005.00106.x': [949], 'Wonder': [950], 'Wounds': [953], '"Southern"': [955], 'Histories,': [956], '2004):': [958], '311–332.https://doi.org/10.1215/9780822385776-017': [959], '1999):': [962, 969, 977, 981, 986, 998, 1005, 1017, 1028, 1032, 1036, 1041], '1–21.https://doi.org/10.1215/9780822398776-001': [963], 'Oedipus': [964], 'Post-Auratic': [966], 'Times,': [967], '22–38.https://doi.org/10.1215/9780822398776-002': [970], 'Genealogy': [972], 'Defeat,': [975], '39–85.https://doi.org/10.1215/9780822398776-003': [978], 'Countertraditions,': [979], '86–106.https://doi.org/10.1215/9780822398776-004': [982], 'Encrypting': [983], 'Restitution,': [984, 1026], '107–135.https://doi.org/10.1215/9780822398776-005': [987], 'Pastiche,': [988], 'Repetition,': [989], 'Angel': [992], "History's": [994], 'Forged': [995], 'Signature,': [996], '136–163.https://doi.org/10.1215/9780822398776-006': [999], 'Overcodification': [1000], 'Margins,': [1003], '164–185.https://doi.org/10.1215/9780822398776-007': [1006], 'Bildungsroman': [1007], 'at': [1008], 'Standstill,': [1010], 'Weakening': [1013], 'Storytelling,': [1015], '186–209.https://doi.org/10.1215/9780822398776-008': [1018], 'Unmourned': [1020], 'Dead': [1021], 'Promise': [1024], '210–229.https://doi.org/10.1215/9780822398776-009': [1029], 'Afterword,': 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'Carpentier': [1088, 1099], 'On': [1089], 'Marvelous': [1091, 1104, 1385], 'Real': [1092, 1105, 1382], 'America': [1094], '(1949),': [1095], '75–88.https://doi.org/10.1215/9780822397212-004Alejo': [1098], 'Baroque': [1101], '(1975),': [1106], '89–108.https://doi.org/10.1215/9780822397212-005Angel': [1109], 'Flores': [1110], '(1955),': [1117], '109–117.https://doi.org/10.1215/9780822397212-006Luis': [1120], 'Leal': [1121], '(1967),': [1128], '119–124.https://doi.org/10.1215/9780822397212-007Amaryll': [1131], 'Chanady': [1132], 'Territorialization': [1134], 'Imaginary': [1137], 'America,': [1140, 1360], '125–144.https://doi.org/10.1215/9780822397212-008Scott': [1143], 'Simpkins': [1144], 'Sources': [1145], 'Realism/Supplements': [1148], '145–159.https://doi.org/10.1215/9780822397212-009Wendy': [1158], "Scheherazade's": [1161], 'Children,': [1162], '163–190.https://doi.org/10.1215/9780822397212-010Theo': [1165], 'L.': [1166, 1453], "D'haen": [1167], 'Postmodernism,': [1171], '191–208.https://doi.org/10.1215/9780822397212-011Rawdon': [1174], 'Wilson': [1175], 'Metamorphoses': [1177], 'Fictional': [1179], '209–233.https://doi.org/10.1215/9780822397212-012Jon': [1183], 'Thiem': [1184], 'Textualization': [1186], 'Reader': [1189], 'Fiction,': [1193], '235–247.https://doi.org/10.1215/9780822397212-013Jeanne': [1196], 'Delbaere-Garant': [1197], 'Psychic': [1198], 'Mythic': [1200], '249–263.https://doi.org/10.1215/9780822397212-014John': [1206], 'Burt': [1207], 'Foster': [1208], 'Compensatory': [1211], 'Vision,': [1212], 'Felt': [1214], '267–283.https://doi.org/10.1215/9780822397212-015P.': [1218], 'Gabrielle': [1219], 'Foreman': [1220], 'Past-On': [1221], 'Stories,': [1222], '285–303.https://doi.org/10.1215/9780822397212-016Richard': [1225], 'Todd': [1226], 'Trickery': [1228], 'Performative': [1230], 'Historiography,': [1231], '305–328.https://doi.org/10.1215/9780822397212-017Patricia': [1234], 'Merivale': [1235], 'Saleem': [1236], 'Fathered': [1237], 'Oskar,': [1239], '329–345.https://doi.org/10.1215/9780822397212-018Steven': [1242], 'F.': [1243], 'Walker': [1244], 'Archetypes,': [1246], '347–369.https://doi.org/10.1215/9780822397212-019David': [1249], 'Mikics': [1250], 'Derek': [1251], 'Walcott': [1252], 'Alejo': [1254], 'Carpentier,': [1255], '371–404.https://doi.org/10.1215/9780822397212-020Stephen': [1258], 'Slemon': [1259], 'Discourse,': [1264], '407–426.https://doi.org/10.1215/9780822397212-021John': [1267], 'Erickson': [1268], 'Metoikoi': [1269], 'Maghrebian': [1275], 'Narratives': [1276, 1374], 'Tahar': [1278], 'ben': [1279], 'Jelloun': [1280], 'Abdelkebir': [1282], 'Khatibi,': [1283], '427–450.https://doi.org/10.1215/9780822397212-022Susan': [1286], 'J.': [1287], 'Napier': [1288], '451–475.https://doi.org/10.1215/9780822397212-023Melissa': [1295], 'Stewart': [1296], 'Roads': [1297], '"Exquisite': [1299], 'Mysterious': [1300], 'Muck",': [1301], '477–495.https://doi.org/10.1215/9780822397212-024Lois': [1304], 'Zamora': [1306], 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'49–84.https://doi.org/10.1215/9780822381709-003': [1380], 'Charleston,': [1387], 'South': [1388], 'Carolina,': [1389], '87–104.https://doi.org/10.1215/9780822381709-004': [1392], 'Hybridity': [1394], 'Arturo': [1398], "Islas's": [1399], 'Rain': [1401], 'God,': [1402], '105–120.https://doi.org/10.1215/9780822381709-005': [1405], 'School': [1407], 'Caliban,': [1409], '123–148.https://doi.org/10.1215/9780822381709-006': [1412], 'Borders,': [1414], 'Dissent,': [1415], 'Possible,': [1421], '149–153.https://doi.org/10.1215/9780822381709-007': [1424], '155–179.https://doi.org/10.1215/9780822381709-008': [1428], '181–195.https://doi.org/10.1215/9780822381709-009Kathleen': [1432], 'K.': [1433], 'Rowe': [1434], 'Class': [1435], 'allegory': [1437], "Jameson's": [1439], 'film': [1440], 'criticism,': [1441], '1990):': [1451, 1470, 1476], '1–18.https://doi.org/10.1080/10509209109361360Norma': [1452], 'Rudinsky': [1454], 'National': [1455, 1463], 'Antiheroes:': [1456], 'Symbolism': [1457], 'Coded': [1462], "Ol'ga": [1466], "Feldeková's": [1467], 'Veverica,': [1468], '205–214.https://doi.org/10.1007/978-1-349-11288-3_18Alex': [1471], 'Callinicos': [1472], 'Reactionary': [1473], 'Postmodernism?,': [1474], '97–118.https://doi.org/10.1007/978-1-349-20843-2_4Will': [1477], 'Straw': [1478], 'discipline': [1480], 'forms:': [1482], 'Mannerism': [1483], 'cinema,': [1486], '1987):': [1492], '361–375.https://doi.org/10.1080/09502388700490261Simon': [1493], 'During': [1494], 'Postmodernism': [1495], 'post‐colonialism': [1497], 'today,': [1498], 'Textual': [1499], '(Jun': [1503], '2008):': [1504], '32–47.https://doi.org/10.1080/09502368708582006': [1505]}, 'cited_by_api_url': 'https://api.openalex.org/works?filter=cites:W1978428437', 'counts_by_year': [{'year': 2024, 'cited_by_count': 4}, {'year': 2023, 'cited_by_count': 5}, {'year': 2022, 'cited_by_count': 3}, {'year': 2021, 'cited_by_count': 2}, {'year': 2020, 'cited_by_count': 9}, {'year': 2019, 'cited_by_count': 4}, {'year': 2018, 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