Abstract: INTRODUCTION THE DYNAMICS OF TRADITION AND MODERNITY IN HINDI CINEMA HOW SOCIALLY CONSCIOUS IS HINDI CINEMA? SHOLAY IS NO LESS INDIAN THAN MAHATMA GANDHI MOVIE IDOLS ARE THE SOULMATES OF THE YOUNG THE USE OF POETRY IN HINDI CINEMA HINDI CINEMA DENIES SPACE TO THE WRITER INDIAN GOOF-UPS AT INTERNATIONAL FILM FESTIVALS FILM MAKERS AT INTERNATIONAL MEETS BLACK MONEY AS THE MAINSTAY OF HINDI CINEMA THE DEATH OF CHILDRENS CINEMA BOLLYWOOD GOES ON STRIKE THE ACTRESS AS WORKING WOMEN POPULAR CINEMA LEARNS FROM ART CINEMA CAN PARALLEL CINEMA SURVIVE? SOME GROUND REALITIES OF ART FILM MAKING YOUNG FILMMAKERS STRIKE GOLD SHOULD ART FILMS BE SUBSIDISED? FILMS AND CRITICAL THEORIES POLITICAL THEMES IN INDIAN CINEMA WHY DO OUR CMS AND PMS FEAR DHARMENDRA? BETWEEN FACT AND A FILMMAKERS INTENTION THE EVERGREEN TROIKA GOLDEN GIRLS OF A GOLDEN ERA THE GLORIFICATION OF BHAGAT SINGH THREE FILMS ABOUT GANDHI WHAT WENT WRONG WITH BHANSALIS DEVDAS JOHNNY WALKER A COMEDIAN IN THE MACHINE AGE A CHELA SALUTES GURU DUTT RAJ KAPOOR AND HIS UNIQUE STYLE OF WORKING ANALYSING A STYLIST MANI RATNAM SANJAY DUTT GOES THROUGH HELL THE AGELESS PRAN THE AMAZINGLY TALENTED SANJEEV KUMAR RENAISSANCE IN SOUTH INDIAN FILMS THE SOUTHERN LOCALE FOR HINDI FILMS THE ARCHITECTURE OF ILLUSION THE COMPELLING WORLD OF HINDI FILMS RAGS TO RICHES STORIES TURNED REAL
Publication Year: 2009
Publication Date: 2009-06-15
Language: en
Type: book
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Cited By Count: 6
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