Abstract: Framing artistic developments in the context of successive periods, author Yigal Zalmona describes the many ways in which Israel’s art has been influenced by its social and political history. This look at the wider picture goes hand-in-hand with detailed, enlightening analyses of seminal artworks from every period. Zalmona surveys the early days of the Bezalel School, founded in 1906 in the spirit of the Arts and Crafts movement; Land-of-Israel art during an era of nation-building; the pre-eminence of international modernism and Lyrical Abstraction after 1948; social-activist and conceptual art in the 1970s; and the recent embrace of photography and video. Throughout its evolution, Israeli art has reflected a complex cultural discourse revolving around questions of identity - Western versus Eastern, local versus universal, national and ethnic, collective and personal. Drawing on the author’s decades of accumulated knowledge and activity in the field of Israeli art - as historian, critic, teacher, and curator - and aimed at a broad audience, this book will be fascinating reading for art-lovers and for all those with an interest in Israel’s cultural history, offering a compelling example of the interaction between visual art and a dynamic, multifaceted society. Contents Director's Foreword; Preface; 1 Zionist Aesthetics: Jewish Artists in Late Nineteenth-Century Europe; 2 The Bezalel School: Early Arts and Crafts in the Land of Israel; 3 Modernists and the Fascination with the East; 4 A Decade of Conflict: Localism and Universalism; 5 Nimrod - A Case Study in Art, History and Identity; 6 Art in the Service of Nation-Building; 7 New Horizons; 8 The Birth of Now; 9 The Seventies: Exploring the Boundaries of Art; 10 The Eighties: Back to Painting; 11 The Return of the Real? 12 The Beatuy of Weakness; Artists' Index.
Publication Year: 2014
Publication Date: 2014-02-20
Language: en
Type: article
Indexed In: ['crossref']
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Cited By Count: 1
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