Abstract:Contents: Introduction Published writings Musical form and the listener The perception of large-scale tonal closure Beethoven's unfinished piano concerto: a case of double vision? Schenker's theory of...Contents: Introduction Published writings Musical form and the listener The perception of large-scale tonal closure Beethoven's unfinished piano concerto: a case of double vision? Schenker's theory of music as ethics The editor and the virtuoso, or Schenker vs. BA low Heinrich Schenker, polemicist: a reading of the 9th symphony monograph Music minus 1: rock, theory and performance The domestic gesamtkunstwerk, or record sleeves and reception At the borders of musical identity: Schenker, Corelli and the Graces Theorizing musical meaning Form and syntax: a tale of 2 terms The other Beethoven: heroism, the canon and the works of 1813a 14 Performance writ large: desultory remarks on furnishing the abode of the retired scholar In praise of symbolic poverty Writing on music or axes to grind: road rage and musical community Making music together, or improvisation and its others Index.Read More
Publication Year: 2007
Publication Date: 2007-01-01
Language: en
Type: book
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Cited By Count: 45
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