Abstract: Foreword, Gage Averill Introduction, J. Martin Daughtry Part One: Music, the United States, and the Mass Media After 9/11 1. Pop Goes to War, 2001-2004: U.S. Popular Music After 9/11 Reebee Garofalo 2. America: A Tribute to Heroes: Music, Mourning, and the Unified American Community Kip Pegley and Susan Fast 3. The Sounds of American and Canadian Television News After 9/11: Entoning Horror and Grief, Fear and Anger James Deaville 4. Models of Charity and Spirit: Bruce Springsteen, 9/11, and the War on Terror Bryan Garman 5. Double Voices of Musical Censorship after 9/11 Martin Scherzinger 6. Have you forgotten?: Darryl Worley and the Musical Politics of Operation Iraqi Freedom Peter Schmelz 7. For alle Menschen? Classical Music and Remembrance After 9/11 Peter Tregear Part Two: Music and 9/11 Beyond the United States 8. Terror in an Andean Key: Peasant Cosmopolitans Interpret 9/11 Jonathan Ritter 9. Exploding Myths in Morocco and Senegal: Sufis Making Music After 9/11 Larry Blumenfeld 10. Corridos of 9/11: Mexican Ballads in Commemorative Practice John McDowell 11. I'll tell you why we hate you! Sha'ban 'Abd al-Rahim and Middle Eastern Reactions to 9/11 James Grippo 12. 9/11 and the Politics of Music-Making in Afghanistan Veronica Doubleday