Publication Information

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63, 97, 151, 215, 236, 245, 287, 311, 319, 437, 449, 479], 'high': [16, 477], 'profile': [17], 'speakers': [18], 'including': [19, 386], 'artists,': [20, 133], 'curators,': [21], 'gallerists': [22], 'and': [23, 44, 50, 53, 103, 125, 212, 217, 247, 260, 269, 290, 307, 309, 322, 335, 395, 435, 459, 482, 496, 522, 546], 'legal': [24, 51], 'professionals,': [25], 'to': [26, 42, 112, 117, 155, 181, 195, 219, 225, 242, 274, 282, 291, 351, 357, 367, 509], 'address': [27], 'subject': [29], 'collecting': [31, 352], 'performance': [32, 64, 72, 120, 141, 362, 483], 'art.': [33], 'The': [34, 466], 'conference': [35], 'will': [36, 279, 348, 373, 420], 'focus': [37], 'on': [38, 90, 186, 428, 470], 'questions': [39], 'relation': [41, 241, 366], 'display': [43], 'conservation,': [45], 'as': [46, 48, 81, 85, 114, 127, 129, 189, 207, 452, 514, 535], 'well': [47, 128], 'ethical': [49], 'matters,': [52], 'all': [54], 'this': [56, 70, 98, 107, 164, 196], 'against': [57], 'backdrop': [59], 'scarcity': [62], 'art': [65, 73], 'public': [67, 102, 221], 'collections': [68, 176, 222], 'country.\r\n\r\nTraditionally': [71], 'has': [74, 165, 468, 505, 530], 'not': [75], 'enjoyed': [76], 'same': [78], 'commercial': [79, 402], 'success': [80], 'other': [82], 'mediums,': [83], 'such': [84, 170, 451, 513, 534], 'painting,': [86], 'sculpture': [87], 'or': [88, 153], 'works': [89, 96, 130, 142, 149, 174, 227, 284], 'paper.': [91], 'As': [92, 525], 'result': [94], 'fewer': [95], 'medium': [99, 197], 'exist': [100, 156], 'private': [104], 'collections.': [105], 'However,': [106, 191], 'is': [108, 193, 198, 257], 'now': [109, 166], 'gradually': [110], 'beginning': [111], 'change': [113], 'we': [115, 232, 253], 'start': [116], 'see': [118], 'significant': [119], 'artworks': [121], 'from': [122, 143, 158, 369], '1960s': [124], '1970s,': [126], 'by': [131, 285], 'contemporary': [132, 353], 'being': [134], 'acquired': [135], 'more': [136], 'frequently.\r\n\r\nWhat': [137], 'once': [138], 'prohibited': [139], 'many': [140, 162], 'entering': [144, 175], 'market': [146], 'was': [147], 'lack': [150], 'autonomy': [152], 'ability': [154], 'independently': [157], 'artist.': [160], 'In': [161, 416, 499], 'cases': [163], 'been': [167, 179, 492], 'reframed': [168], 'way': [172], 'that': [173, 278, 293, 377, 474], 'have': [177, 491], 'often': [178], 'created': [180], 'no': [182], 'longer': [183], 'be': [184, 296], 'dependent': [185], 'artist': [188], 'performer.': [190], 'what': [192], 'particular': [194, 381], 'artists’': [200], 'ongoing': [201], 'relationship': [202], 'with': [203, 487, 511, 532], 'their': [204], 'works,': [205], 'which': [206], 'result,': [209], 'demands': [210], 'new': [211], 'pioneering': [213], 'methods': [214], 'research': [216], 'collaboration': [218], 'ensure': [220, 254, 292], 'can': [223, 231, 252, 295], 'continue': [224], 'acquire': [226, 283], 'perpetuity.': [229], 'How': [230, 251, 265], 'develop': [233], 'culture': [235], 'confident': [237], 'problem': [238], 'solving': [239], 'conservation': [244, 255, 270], 'unfamiliar': [246], 'sometimes': [248], 'unstable': [249], 'media?': [250], 'knowledge': [256], 'evenly': [258], 'spread': [259], 'accessible': [261], 'across': [262], 'sector?': [264], 'do': [266], 'curatorial,': [267], 'exhibition': [268, 439], 'team’s': [271], 'work': [272, 510], 'find': [275], 'solutions': [277], 'enable': [280], 'us': [281], 'artists': [286, 387, 450, 489, 512, 533], 'our': [288], 'time': [289], 'they': [294], 'experienced': [297], 'future?\r\n\r\nKeynote': [300], 'Speaker:': [301], 'Hans': [302], 'Ulrich': [303], 'Obrist,': [304], 'Co-Director,': [305], 'Exhibitions': [306], 'Programmes': [308], 'Director': [310], 'International': [312, 405], 'Projects,': [313], 'Serpentine': [314], 'Galleries,': [315], 'Catherine': [316], 'Wood,': [317], 'Curator': [318], 'Performance,': [323], 'Tate': [324], 'Modern,Marvin': [325], 'Gaye': [326], 'Chetwynd,': [327], 'Artist,': [328], 'Henry': [329], 'Lydiate,': [330], 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