Title: 연극 공연의 감성학적 연구 -괴르노트 뵈메(Gernont Bohme)의 감성학을 중심으로
Abstract: This article focuses on two aspects. First, it introduces and examines Bohme``s Aisthetik theory. Second, it defines an application plan for its integration into the aesthetics of the performing arts. The first point is examinedin relation to four sub-topics. First, the study considers the appearance of Aisthetik as a new form of aesthetics in the 20th century. The driving forces behind the appearance of Aisthetik were environmental problems, the aestheticization of daily life, and a new definition of the arts. Second, the study explains the perception of Aisthetik asa sense of bodily existence. Third, it evokes a general perception method that is not based on individual senses but on special perceptual functions. Fourth, it presents atmospheric perception as one of the basic ideas of the Aisthetik theory. The atmosphereis experienced through two kinds of affective senses. One is the presence of objects, and the other the unique presence of oneself. The second part of the study focuses on the co-presence, materiality, and generation of meanings within the Aisthetik framework. Those areimportant terms in performative aesthetics studies and in Aisthetik. In particular, the study states that the perceptional process of spectators does not receive delivered meanings but generates its own. The study of the Theatre Aisthetik in this article is based on the vision of performative aesthetics as animportant aesthetic discourse in the contemporary performing arts. This study shows that Theatre Aisthetik should be part of the development of the contemporary performing arts aesthetics. The paper hopes to encourage active discussions and a keen interest in the Theatre Aisthetik.
Publication Year: 2015
Publication Date: 2015-01-01
Language: en
Type: article
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