Title: The Sublime Nature of Virginia Woolf’s To the Lighthouse and The Waves
Abstract: Through a postmodern approach, this paper examines the ways in which Woolf utilizes form and nature imagery in her two novels To the Lighthouse and The Waves to activate the sublime state in the reader. Woolf’s use of imagery fuses with the structure of her novels; in The Waves, imagery is the dominant piece, the interludes that serve to interrupt the story, while in To the Lighthouse, nature overcomes the Ramsay house in the “Time Passing” section. Nature becomes defined as that which is outside of civilization’s order, moving beyond definition. Woolf incorporates aspects of Roger Fry’s formalism to compliment her use of nature-oriented imagery, which purposefully calls attention to the form and not to the content, creating a peculiar effect in the reader. A reader, entering a sublime state brought on by the formal elements, experiences a slower rate of perception of the “real” and civilized world, allowing her reader to slip into the world of the imagination where knowledge and questions that have yet to be developed in the collective knowledge bank suddenly appear. The content and/or language serve to illuminate thematic issues and enhance the sublime state in the reader, while the form is responsible for activating the sublime state altogether, readying the senses for a hyperperception. Thus, this paper argues that the structure of Woolf’s novels serve to relocate the boundaries of perception outside of the finite knowledge of civilization to the infinite unknown, in other words the sublime.
Faculty Mentor: Dr. Terry DeHay
Publication Year: 2018
Publication Date: 2018-11-25
Language: en
Type: article
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Cited By Count: 1
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