Abstract:As a periodical concerned with the critical potential of artistic research, this edition of the PARSE journal mobilises the multiple perspectives of artists, thinkers, critics and curators on the prob...As a periodical concerned with the critical potential of artistic research, this edition of the PARSE journal mobilises the multiple perspectives of artists, thinkers, critics and curators on the problematics, discontents and possibilities of private capital as an unregulated yet assumptive producer of art’s value, including its integration with state-funding. We have put emphasis on how this conditioning of art’s production, circulation, reception and sale can be put to task. In particular, our interest has been to highlight how, while the endemic privatization of artistic and cultural resources is now a prerequisite of value construction, this condition no less allows key questions and suggests new possibilities for identifying the as-yet-unformulated or undisclosed conditions of markets themselves in general.Read More
Publication Year: 2015
Publication Date: 2015-11-09
Language: en
Type: article
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