Title: Othello in Oman: Ahmad al-Izkı¯’s Fusion of Shakespeare and Classical Arab Epic
Abstract: A recent work of theatre from Oman, Aḥmad al-Izkī’s al-Layla al-Ḥālika (The Dark Night, 2010), weaves together themes and characters from Shakespeare’s Othello and the pre-Islamic epic ‘Antara Ibn Shaddād, imagining a series of encounters which ultimately allow the protagonists to escape the tragic ending of Shakespeare’s play. This article argues that this juxtaposition performs a clever and well-placed intervention in ongoing socio-political debates on the Arabian Peninsula surrounding issues of identity, citizenship and political participation, and that the play argues for inclusivity and tolerance in the face of deep-seated racism and rising sectarianism. Furthermore, while al-Izkī’s script provides a happy ending, the 2010 production directed by ‘Abd al-Ghafūr al-Balūshī suggested a darker warning against the continuing threat of political, ethnic and sectarian divisions across the Gulf, a warning that subsequent events have borne out.
Publication Year: 2016
Publication Date: 2016-01-01
Language: en
Type: article
Indexed In: ['crossref']
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Cited By Count: 3
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