Get quick answers to your questions about the article from our AI researcher chatbot
{'id': 'https://openalex.org/W2509119267', 'doi': 'https://doi.org/10.4225/03/58af7063a8a8b', 'title': 'Rethinking theatre and its digital double', 'display_name': 'Rethinking theatre and its digital double', 'publication_year': 2016, 'publication_date': '2016-01-01', 'ids': {'openalex': 'https://openalex.org/W2509119267', 'doi': 'https://doi.org/10.4225/03/58af7063a8a8b', 'mag': '2509119267'}, 'language': 'en', 'primary_location': {'is_oa': False, 'landing_page_url': 'https://bridges.monash.edu/articles/thesis/Rethinking_theatre_and_its_digital_double/4688677/1', 'pdf_url': None, 'source': None, 'license': None, 'license_id': None, 'version': None, 'is_accepted': False, 'is_published': False}, 'type': 'dissertation', 'type_crossref': 'dissertation', 'indexed_in': [], 'open_access': {'is_oa': False, 'oa_status': 'closed', 'oa_url': None, 'any_repository_has_fulltext': False}, 'authorships': [{'author_position': 'first', 'author': {'id': 'https://openalex.org/A5048732777', 'display_name': 'Darren Valentine', 'orcid': None}, 'institutions': [], 'countries': [], 'is_corresponding': True, 'raw_author_name': 'Darren Valentine', 'raw_affiliation_strings': [], 'affiliations': []}], 'institution_assertions': [], 'countries_distinct_count': 0, 'institutions_distinct_count': 0, 'corresponding_author_ids': ['https://openalex.org/A5048732777'], 'corresponding_institution_ids': [], 'apc_list': None, 'apc_paid': None, 'fwci': None, 'has_fulltext': False, 'cited_by_count': 0, 'citation_normalized_percentile': {'value': 0.0, 'is_in_top_1_percent': False, 'is_in_top_10_percent': False}, 'cited_by_percentile_year': {'min': 0, 'max': 66}, 'biblio': {'volume': None, 'issue': None, 'first_page': None, 'last_page': None}, 'is_retracted': False, 'is_paratext': False, 'primary_topic': {'id': 'https://openalex.org/T11391', 'display_name': 'Theatre and Performance Studies', 'score': 0.9677, 'subfield': {'id': 'https://openalex.org/subfields/1213', 'display_name': 'Visual Arts and Performing Arts'}, 'field': {'id': 'https://openalex.org/fields/12', 'display_name': 'Arts and Humanities'}, 'domain': {'id': 'https://openalex.org/domains/2', 'display_name': 'Social Sciences'}}, 'topics': [{'id': 'https://openalex.org/T11391', 'display_name': 'Theatre and Performance Studies', 'score': 0.9677, 'subfield': {'id': 'https://openalex.org/subfields/1213', 'display_name': 'Visual Arts and Performing Arts'}, 'field': {'id': 'https://openalex.org/fields/12', 'display_name': 'Arts and Humanities'}, 'domain': {'id': 'https://openalex.org/domains/2', 'display_name': 'Social Sciences'}}], 'keywords': [{'id': 'https://openalex.org/keywords/theatre-studies', 'display_name': 'Theatre studies', 'score': 0.56661606}, {'id': 'https://openalex.org/keywords/performance-studies', 'display_name': 'Performance studies', 'score': 0.5075613}], 'concepts': [{'id': 'https://openalex.org/C540679656', 'wikidata': 'https://www.wikidata.org/wiki/Q960543', 'display_name': 'Theatre studies', 'level': 3, 'score': 0.56661606}, {'id': 'https://openalex.org/C11903924', 'wikidata': 'https://www.wikidata.org/wiki/Q7168264', 'display_name': 'Performance studies', 'level': 2, 'score': 0.5075613}, {'id': 'https://openalex.org/C99574664', 'wikidata': 'https://www.wikidata.org/wiki/Q683794', 'display_name': 'New media', 'level': 2, 'score': 0.48778635}, {'id': 'https://openalex.org/C544874408', 'wikidata': 'https://www.wikidata.org/wiki/Q7234386', 'display_name': 'Postmodern theatre', 'level': 3, 'score': 0.46162015}, {'id': 'https://openalex.org/C142362112', 'wikidata': 'https://www.wikidata.org/wiki/Q735', 'display_name': 'Art', 'level': 0, 'score': 0.4513244}, {'id': 'https://openalex.org/C153349607', 'wikidata': 'https://www.wikidata.org/wiki/Q36649', 'display_name': 'Visual arts', 'level': 1, 'score': 0.44798073}, {'id': 'https://openalex.org/C107038049', 'wikidata': 'https://www.wikidata.org/wiki/Q35986', 'display_name': 'Aesthetics', 'level': 1, 'score': 0.38122454}, {'id': 'https://openalex.org/C144024400', 'wikidata': 'https://www.wikidata.org/wiki/Q21201', 'display_name': 'Sociology', 'level': 0, 'score': 0.3539719}, {'id': 'https://openalex.org/C124952713', 'wikidata': 'https://www.wikidata.org/wiki/Q8242', 'display_name': 'Literature', 'level': 1, 'score': 0.30185765}, {'id': 'https://openalex.org/C523419034', 'wikidata': 'https://www.wikidata.org/wiki/Q25372', 'display_name': 'Drama', 'level': 2, 'score': 0.24729499}, {'id': 'https://openalex.org/C41008148', 'wikidata': 'https://www.wikidata.org/wiki/Q21198', 'display_name': 'Computer science', 'level': 0, 'score': 0.24552113}, {'id': 'https://openalex.org/C509535802', 'wikidata': 'https://www.wikidata.org/wiki/Q47783', 'display_name': 'Postmodernism', 'level': 2, 'score': 0.13596392}, {'id': 'https://openalex.org/C136764020', 'wikidata': 'https://www.wikidata.org/wiki/Q466', 'display_name': 'World Wide Web', 'level': 1, 'score': 0.108434945}, {'id': 'https://openalex.org/C19165224', 'wikidata': 'https://www.wikidata.org/wiki/Q23404', 'display_name': 'Anthropology', 'level': 1, 'score': 0.0}], 'mesh': [], 'locations_count': 1, 'locations': [{'is_oa': False, 'landing_page_url': 'https://bridges.monash.edu/articles/thesis/Rethinking_theatre_and_its_digital_double/4688677/1', 'pdf_url': None, 'source': None, 'license': None, 'license_id': None, 'version': None, 'is_accepted': False, 'is_published': False}], 'best_oa_location': None, 'sustainable_development_goals': [], 'grants': [], 'datasets': [], 'versions': [], 'referenced_works_count': 0, 'referenced_works': [], 'related_works': ['https://openalex.org/W340340482', 'https://openalex.org/W330593747', 'https://openalex.org/W3206609037', 'https://openalex.org/W3184803871', 'https://openalex.org/W3122309409', 'https://openalex.org/W3036017996', 'https://openalex.org/W3009038672', 'https://openalex.org/W2913647596', 'https://openalex.org/W2907730568', 'https://openalex.org/W278225687', 'https://openalex.org/W2768543328', 'https://openalex.org/W2285173338', 'https://openalex.org/W2278261407', 'https://openalex.org/W2163830255', 'https://openalex.org/W2150868719', 'https://openalex.org/W2091404030', 'https://openalex.org/W2072092640', 'https://openalex.org/W1929081798', 'https://openalex.org/W1671734240', 'https://openalex.org/W1506320468'], 'abstract_inverted_index': {'Rethinking': [0], 'Theatre': [1], 'and': [2, 14, 19, 105, 127, 133, 156, 182, 191, 198, 207, 226, 266, 278, 294, 308, 317, 332, 337, 351, 400, 454, 470, 493, 528], 'its': [3, 128], 'Digital': [4], 'Double': [5], 'is': [6, 37, 52, 248, 300, 407, 412], 'an': [7, 65, 414], 'exploration': [8, 104], 'of': [9, 12, 58, 67, 78, 85, 114, 122, 165, 180, 189, 203, 213, 240, 246, 259, 262, 283, 314, 327, 330, 347, 349, 356, 379, 416, 428, 441, 452, 474, 479, 485, 489], 'the': [10, 31, 34, 54, 83, 86, 123, 163, 170, 201, 244, 260, 281, 301, 305, 312, 328, 345, 354, 362, 380, 403, 450, 466, 472, 475, 483], 'influence': [11, 303], 'theatre': [13, 155, 181, 204, 247, 263, 277, 287, 331, 453], 'performance': [15, 49, 61, 79, 157, 183, 279, 339, 370, 392, 422, 443, 498, 503, 513, 520], 'on': [16, 93, 232, 304, 506], 'contemporary': [17, 306], 'media': [18, 265, 293, 307, 350], 'communication': [20, 309], 'culture.': [21], 'The': [22, 42, 69, 186, 286], 'over-arching': [23], 'question': [24, 45, 406], 'driving': [25], 'my': [26, 48, 59, 140, 342, 369, 391, 420, 442, 457, 502, 519], 'research': [27, 51, 394, 405, 423, 460, 504, 521], 'relates': [28, 138], 'directly': [29], 'to': [30, 47, 74, 130, 139, 149, 172, 275, 376, 464], 'idea': [32], 'that': [33, 231, 344, 359], 'computer': [35, 318], 'monitor': [36], 'a': [38, 76, 90, 117, 151, 160, 176, 210, 233, 256, 486, 507, 516], 'new': [39, 177], 'proscenium': [40], 'theatre.': [41, 68, 241, 417], 'primary': [43], 'conceptual': [44, 125, 508], 'related': [46], 'as': [50, 111, 136, 159, 200, 223, 291, 393, 434, 459], 'whether': [53, 408], 'hypermediated': [55], 'online': [56], 'remediation': [57, 84, 373], 'live': [60, 387], 'events': [62], 'are': [63, 193, 237, 374, 446], 'essentially': [64, 413], 'experience': [66, 415], 'methodology': [70], 'employed': [71], 'was': [72, 184, 205], 'first': [73, 147], 'create': [75], 'series': [77], 'events,': [80], 'experimenting': [81], 'with': [82, 195, 219, 298, 335, 385, 449, 510, 537], 'documentation': [87], 'by': [88, 497], 'placing': [89, 419], 'stylistic': [91], 'emphasis': [92], 'hypermediation.': [94], 'This': [95, 216], '‘poetic': [96], 'research’': [97], 'would': [98, 108], 'allow': [99], 'for': [100, 116], 'unhindered': [101], 'Dionysian': [102], 'artistic': [103, 357, 399], 'experimentation.': [106], 'These': [107], 'then': [109], 'operate': [110], 'nodal': [112], 'points': [113], 'reference': [115], 'more': [118], 'considered': [119], 'Apollonian': [120], 'contextualisation': [121], 'unfolding': [124], 'terrain': [126], 'relationship': [129], 'existing': [131], 'knowledge': [132], 'cultural': [134], 'phenomena': [135], 'it': [137], 'overall': [141], 'hypothesis.': [142], 'In': [143], 'this': [144, 396, 425], 'thesis': [145], 'I': [146, 229, 430, 461], 'attempt': [148], 'establish': [150], 'theoretical': [152], 'framework': [153], 'using': [154], 'discourse': [158, 272], 'foundation.': [161], 'With': [162], 'arrival': [164], 'visual': [166], 'reproductive': [167], 'technologies,': [168], 'in': [169, 209, 264, 361, 372], 'mid': [171], 'late': [173], 'nineteenth': [174], 'century,': [175], 'mediated': [178, 386], 'order': [179], 'established.': [185], 'very': [187], 'beginnings': [188], 'photography': [190], 'film': [192], 'infused': [194], 'theatrical': [196, 388], 'tradition': [197], 'convention,': [199], 'medium': [202, 245, 478], 'transmuted': [206], 'reconfigured': [208], 'constant': [211], 'process': [212, 217, 346], 'technological': [214, 401, 492], 'transformation.': [215], 'continued': [218], 'proceeding': [220], 'technologies': [221], 'such': [222, 433], 'television,': [224], 'video': [225], 'digital': [227, 410], 'technologies.': [228], 'argue': [230, 431], 'phenomenological': [234], 'level': [235], 'these': [236, 284], 'all': [238], 'experiences': [239, 340], 'Interrogating': [242], 'how': [243], 'perceived': [249, 290], 'within': [250, 395, 424], 'Media': [251], 'Studies': [252, 271], 'discourse,': [253, 429], 'we': [254], 'find': [255], 'distorted': [257], 'view': [258], 'role': [261], '‘new': [267], 'media’': [268], 'narratives.': [269], 'Performance': [270], 'has': [273], 'sought': [274], 'replace': [276], 'at': [280], 'heart': [282], 'debates.': [285], 'should': [288], 'be': [289], 'both': [292], 'technology': [295], 'and,': [296], 'along': [297], 'painting,': [299], 'predominant': [302], 'landscape.': [310], 'Considering': [311], 'theories': [313], 'Antonin': [315], 'Artaud': [316], 'scientist': [319], 'Ray': [320], 'Kurzweil,': [321], 'do': [322], 'they': [323], 'offer': [324], 'any': [325], 'indications': [326], 'future': [329], 'performance?': [333], 'Encounters': [334], 'immersive': [336], 'intermedial': [338], 'confirms': [341], 'contention': [343], 'convergence': [348], 'mediums,': [352], 'across': [353], 'spectrum': [355], 'practice,': [358], 'began': [360], 'Modernist': [363], 'era': [364], 'continues': [365], 'today': [366], 'unabated.': [367], 'Ultimately': [368], 'experiments': [371], 'attempts': [375], 'address': [377], 'some': [378], 'ongoing': [381], 'issues': [382], 'historically': [383], 'associated': [384], 'performances.': [389], 'Situating': [390], 'wider': [397], 'historical,': [398, 490], 'context,': [402], 'overriding': [404], 'theatre’s': [409], 'double': [411], 'By': [418], 'own': [421], 'broad': [426, 487], 'field': [427, 488], 'concepts': [432], 'remediation,': [435], 'hypermediacy,': [436], 'intermediality': [437], '–': [438, 445, 522, 534], 'key': [439], 'features': [440], 'practice': [444, 458], 'phenomenologically': [447], 'consistent': [448], 'traditions': [451], 'performance.': [455], 'Through': [456], 'am': [462], 'able': [463], 'highlight': [465], 'differentiations,': [467], 'tensions,': [468], 'similarities': [469], 'ultimately': [471], 'potentialities': [473], 'constantly': [476], 'evolving': [477], 'theatre,': [480], 'viewed': [481], 'through': [482], 'lens': [484], 'artistic,': [491], 'social': [494], 'contexts.': [495], 'Inspired': [496], 'artist': [499], 'Jack': [500], 'Smith,': [501], 'aligns,': [505], 'level,': [509, 518], 'his': [511], 'idiosyncratic': [512], 'practice.': [514], 'On': [515], 'thematic': [517], 'which': [523], 'critiques': [524], 'our': [525], 'economic': [526], 'system': [527], 'corporate': [529], 'culture': [530], '(post-Global': [531], 'Financial': [532], 'Crisis)': [533], 'also': [535], 'aligns': [536], 'Smith’s': [538], 'anti-capitalist': [539], 'philosophy.': [540]}, 'cited_by_api_url': 'https://api.openalex.org/works?filter=cites:W2509119267', 'counts_by_year': [], 'updated_date': '2024-12-12T07:33:37.408626', 'created_date': '2016-09-16'}