Abstract: Writing in 1949 of his Second String Quartet (1907–8), whose fourth movement is frequently cited as an early example of ‘atonality’, Schoenberg outlined the dilemma which this music exposed through its interactions of counterpoint, harmony and form:
Publication Year: 1991
Publication Date: 1991-06-24
Language: en
Type: book-chapter
Indexed In: ['crossref']
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