Title: Gu Qin Carries the Hope of Principle and Li Yue Signifies One's Morality——Some Opinions of the Spirit of Traditional Chinese Li Yue Culture
Abstract: The culture of Chinese traditional Li Yue pays great attention to study the external relations of music and research on the writing and theory of music text,but little aesthetic relation to the musical morphological features,ontology and its internal humanistic spirit.Gu Qin has carried the hope of principle,insisting one's dream and cultivating one's morality in Confucianism.In virtue of the emotion in singing of Taoism,the nature in singing of Buddhism and the ritual singing of Confucianism,music is reduced to an appendage of ritual and the slaves of politics.As a result,music loses its independent status and the possibility of free development.In China's traditional Confucian music culture,the role and function of music is just staying in the narrow range of practical application and presentational morality as well as serving a political purpose.However,the aesthetic,emotional and relaxed function and value of music almost eliminates completely.Li Yue culture dismembers the music ontology in a very real sense and finally appeared as a ruthless rule of it.
Publication Year: 2012
Publication Date: 2012-01-01
Language: en
Type: article
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