Get quick answers to your questions about the article from our AI researcher chatbot
{'id': 'https://openalex.org/W2152672565', 'doi': None, 'title': 'Semantic fluidity : Samuel Beckett, repetition and modern music', 'display_name': 'Semantic fluidity : Samuel Beckett, repetition and modern music', 'publication_year': 2013, 'publication_date': '2013-09-01', 'ids': {'openalex': 'https://openalex.org/W2152672565', 'mag': '2152672565'}, 'language': 'en', 'primary_location': {'is_oa': False, 'landing_page_url': 'http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617456', 'pdf_url': None, 'source': None, 'license': None, 'license_id': None, 'version': None, 'is_accepted': False, 'is_published': False}, 'type': 'dissertation', 'type_crossref': 'dissertation', 'indexed_in': [], 'open_access': {'is_oa': False, 'oa_status': 'closed', 'oa_url': None, 'any_repository_has_fulltext': False}, 'authorships': [{'author_position': 'first', 'author': {'id': 'https://openalex.org/A5101465756', 'display_name': 'John McGrath', 'orcid': 'https://orcid.org/0000-0003-4905-7414'}, 'institutions': [], 'countries': [], 'is_corresponding': True, 'raw_author_name': 'John McGrath', 'raw_affiliation_strings': [], 'affiliations': []}], 'institution_assertions': [], 'countries_distinct_count': 0, 'institutions_distinct_count': 0, 'corresponding_author_ids': ['https://openalex.org/A5101465756'], 'corresponding_institution_ids': [], 'apc_list': None, 'apc_paid': None, 'fwci': None, 'has_fulltext': False, 'cited_by_count': 0, 'citation_normalized_percentile': {'value': 0.0, 'is_in_top_1_percent': False, 'is_in_top_10_percent': False}, 'cited_by_percentile_year': {'min': 0, 'max': 65}, 'biblio': {'volume': None, 'issue': None, 'first_page': None, 'last_page': None}, 'is_retracted': False, 'is_paratext': False, 'primary_topic': {'id': 'https://openalex.org/T13245', 'display_name': 'Samuel Beckett and Modernism', 'score': 0.9949, 'subfield': {'id': 'https://openalex.org/subfields/1208', 'display_name': 'Literature and Literary Theory'}, 'field': {'id': 'https://openalex.org/fields/12', 'display_name': 'Arts and Humanities'}, 'domain': {'id': 'https://openalex.org/domains/2', 'display_name': 'Social Sciences'}}, 'topics': [{'id': 'https://openalex.org/T13245', 'display_name': 'Samuel Beckett and Modernism', 'score': 0.9949, 'subfield': {'id': 'https://openalex.org/subfields/1208', 'display_name': 'Literature and Literary Theory'}, 'field': {'id': 'https://openalex.org/fields/12', 'display_name': 'Arts and Humanities'}, 'domain': {'id': 'https://openalex.org/domains/2', 'display_name': 'Social Sciences'}}, {'id': 'https://openalex.org/T11391', 'display_name': 'Theatre and Performance Studies', 'score': 0.9764, 'subfield': {'id': 'https://openalex.org/subfields/1213', 'display_name': 'Visual Arts and Performing Arts'}, 'field': {'id': 'https://openalex.org/fields/12', 'display_name': 'Arts and Humanities'}, 'domain': {'id': 'https://openalex.org/domains/2', 'display_name': 'Social Sciences'}}, {'id': 'https://openalex.org/T11776', 'display_name': 'Irish and British Studies', 'score': 0.9507, 'subfield': {'id': 'https://openalex.org/subfields/3312', 'display_name': 'Sociology and Political Science'}, 'field': {'id': 'https://openalex.org/fields/33', 'display_name': 'Social Sciences'}, 'domain': {'id': 'https://openalex.org/domains/2', 'display_name': 'Social Sciences'}}], 'keywords': [{'id': 'https://openalex.org/keywords/appropriation', 'display_name': 'Appropriation', 'score': 0.56287116}, {'id': 'https://openalex.org/keywords/white', 'display_name': 'White (mutation)', 'score': 0.50025296}, {'id': 'https://openalex.org/keywords/philosophy-of-music', 'display_name': 'Philosophy of music', 'score': 0.4657318}, {'id': 'https://openalex.org/keywords/romance', 'display_name': 'Romance', 'score': 0.46504533}], 'concepts': [{'id': 'https://openalex.org/C2780623531', 'wikidata': 'https://www.wikidata.org/wiki/Q9142', 'display_name': 'Irish', 'level': 2, 'score': 0.7509233}, {'id': 'https://openalex.org/C558565934', 'wikidata': 'https://www.wikidata.org/wiki/Q2743', 'display_name': 'Musical', 'level': 2, 'score': 0.60921675}, {'id': 'https://openalex.org/C124952713', 'wikidata': 'https://www.wikidata.org/wiki/Q8242', 'display_name': 'Literature', 'level': 1, 'score': 0.57880765}, {'id': 'https://openalex.org/C2776931063', 'wikidata': 'https://www.wikidata.org/wiki/Q4781738', 'display_name': 'Appropriation', 'level': 2, 'score': 0.56287116}, {'id': 'https://openalex.org/C142362112', 'wikidata': 'https://www.wikidata.org/wiki/Q735', 'display_name': 'Art', 'level': 0, 'score': 0.55280423}, {'id': 'https://openalex.org/C56273599', 'wikidata': 'https://www.wikidata.org/wiki/Q3122841', 'display_name': 'White (mutation)', 'level': 3, 'score': 0.50025296}, {'id': 'https://openalex.org/C92027692', 'wikidata': 'https://www.wikidata.org/wiki/Q2092865', 'display_name': 'Philosophy of music', 'level': 4, 'score': 0.4657318}, {'id': 'https://openalex.org/C518914266', 'wikidata': 'https://www.wikidata.org/wiki/Q1054574', 'display_name': 'Romance', 'level': 2, 'score': 0.46504533}, {'id': 'https://openalex.org/C107038049', 'wikidata': 'https://www.wikidata.org/wiki/Q35986', 'display_name': 'Aesthetics', 'level': 1, 'score': 0.41131568}, {'id': 'https://openalex.org/C95457728', 'wikidata': 'https://www.wikidata.org/wiki/Q309', 'display_name': 'History', 'level': 0, 'score': 0.36045367}, {'id': 'https://openalex.org/C82327399', 'wikidata': 'https://www.wikidata.org/wiki/Q10590700', 'display_name': 'Music history', 'level': 3, 'score': 0.35131064}, {'id': 'https://openalex.org/C138885662', 'wikidata': 'https://www.wikidata.org/wiki/Q5891', 'display_name': 'Philosophy', 'level': 0, 'score': 0.2213288}, {'id': 'https://openalex.org/C41895202', 'wikidata': 'https://www.wikidata.org/wiki/Q8162', 'display_name': 'Linguistics', 'level': 1, 'score': 0.15064058}, {'id': 'https://openalex.org/C55493867', 'wikidata': 'https://www.wikidata.org/wiki/Q7094', 'display_name': 'Biochemistry', 'level': 1, 'score': 0.0}, {'id': 'https://openalex.org/C185592680', 'wikidata': 'https://www.wikidata.org/wiki/Q2329', 'display_name': 'Chemistry', 'level': 0, 'score': 0.0}, {'id': 'https://openalex.org/C104317684', 'wikidata': 'https://www.wikidata.org/wiki/Q7187', 'display_name': 'Gene', 'level': 2, 'score': 0.0}], 'mesh': [], 'locations_count': 1, 'locations': [{'is_oa': False, 'landing_page_url': 'http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617456', 'pdf_url': None, 'source': None, 'license': None, 'license_id': None, 'version': None, 'is_accepted': False, 'is_published': False}], 'best_oa_location': None, 'sustainable_development_goals': [{'display_name': 'Quality education', 'score': 0.5, 'id': 'https://metadata.un.org/sdg/4'}], 'grants': [], 'datasets': [], 'versions': [], 'referenced_works_count': 0, 'referenced_works': [], 'related_works': ['https://openalex.org/W655949217', 'https://openalex.org/W582427149', 'https://openalex.org/W429976347', 'https://openalex.org/W38354397', 'https://openalex.org/W381607231', 'https://openalex.org/W370758246', 'https://openalex.org/W3165385250', 'https://openalex.org/W290888233', 'https://openalex.org/W2806275716', 'https://openalex.org/W2612145540', 'https://openalex.org/W2269439493', 'https://openalex.org/W2266809029', 'https://openalex.org/W2216608130', 'https://openalex.org/W2067169859', 'https://openalex.org/W1620980328', 'https://openalex.org/W1524486391', 'https://openalex.org/W1520159073', 'https://openalex.org/W1510471296', 'https://openalex.org/W1492737603', 'https://openalex.org/W1483109759'], 'abstract_inverted_index': {'Music': [0], 'abounds': [1], 'in': [2, 29, 44, 58, 94, 128, 134, 206, 225, 229, 264, 271, 353, 449, 461, 469, 482, 490, 498], 'Irish': [3, 135, 143, 153], 'literature.': [4, 136, 333], 'Whether': [5], 'these': [6], 'sounds': [7], 'be': [8, 181, 326, 453, 487], 'the': [9, 16, 26, 36, 41, 49, 61, 95, 102, 106, 109, 118, 126, 140, 159, 168, 219, 250, 269, 311, 348, 351, 373, 416, 419, 427, 436, 456, 465, 470, 479], '“thought-tormented”': [10], 'music': [11, 39, 54, 148, 222, 331, 380, 429, 451, 475, 503], 'of': [12, 38, 51, 65, 87, 98, 111, 142, 161, 170, 191, 221, 266, 275, 283, 292, 299, 302, 313, 320, 339, 350, 356, 375, 393, 422, 430, 439, 446, 472, 478], 'Joyce’s': [13], '“The': [14], 'Dead”,': [15], 'folk': [17], 'tunes': [18], 'and': [19, 53, 70, 80, 101, 155, 175, 218, 241, 257, 294, 316, 332, 342, 358, 363, 367, 386, 435, 474], 'opera': [20, 401], 'that': [21, 35, 146, 190, 203, 309, 324], 'resound': [22], 'throughout': [23], 'Ulysses,': [24], 'or': [25, 209], 'four-part': [27], 'threnody': [28], 'Beckett’s': [30, 297, 447], 'Watt,': [31], 'it': [32], 'is': [33, 46, 55, 204, 268, 305, 322], 'obvious': [34], 'influence': [37], 'on': [40, 382, 426], 'written': [42], 'word': [43, 473], 'Ireland': [45], 'significant.': [47], 'Although': [48], 'study': [50], 'words': [52, 499], 'a': [56, 85, 182, 186, 193, 196, 201, 317, 336], 'field': [57, 471], 'relative': [59], 'infancy,': [60], 'recent': [62], 'pioneering': [63], 'work': [64, 448], 'Daniel': [66], 'Albright,': [67], 'Harry': [68], 'White': [69, 138], 'Eric': [71], 'Prieto': [72], 'has': [73, 371, 388], 'enlivened': [74], 'critical': [75], 'engagement': [76], 'with': [77, 335, 485], 'musico-literary': [78, 343], 'studies,': [79], 'inspired': [81], 'me': [82], 'to': [83, 121, 150, 158, 167, 180, 329, 365, 396, 402, 408, 415, 463, 492], 'explore': [84, 125], 'number': [86], 'questions.': [88], 'In': [89, 406], 'particular,': [90], 'I': [91, 124, 277], 'am': [92], 'interested': [93], 'Modernist': [96], 'transgression': [97], 'generic': [99], 'boundaries': [100], 'suggestion': [103], 'that,': [104], 'during': [105, 117], 'twentieth': [107], 'century,': [108], 'segregation': [110], 'artforms,': [112], 'promulgated': [113], 'by': [114, 296], 'Gotthold': [115], 'Lessing': [116], 'Enlightenment,': [119], 'began': [120], 'break': [122], 'down.': [123], 'ways': [127, 228], 'which': [129, 165], 'this': [130, 306, 345, 423], 'transmediality': [131], 'manifested': [132], 'itself': [133, 224], 'Initially,': [137], 'suggests,': [139], 'protectionism': [141], 'cultural-nationalism': [144], 'meant': [145], 'traditional': [147], 'appeared': [149], 'dominate': [151], 'both': [152, 330], 'society': [154], 'its': [156], 'literature,': [157], 'neglect': [160], 'contemporary': [162, 377], 'musical': [163, 171, 234, 459], 'infrastructure,': [164], 'led': [166], 'appropriation': [169], 'devices': [172, 248], 'into': [173, 502], 'literature:': [174], 'yet,': [176], 'there': [177], 'also': [178], 'appears': [179], 'hidden': [183], 'desire': [184, 202], 'for': [185, 195], 'Romantic': [187], 'intangibility': [188], 'like': [189, 249], 'music,': [192, 359], 'longing': [194], 'less': [197], 'explicit,': [198], 'non-representational': [199], 'form;': [200], 'fulfilled': [205], 'hitherto': [207], 'coded,': [208], 'secret': [210], 'ways.': [211], '\r\n\r\nBeckett': [212], 'was': [213], 'himself': [214], 'an': [215, 281, 289], 'accomplished': [216], 'pianist': [217], 'presence': [220], 'manifests': [223], 'three': [226], 'distinct': [227], 'his': [230, 244, 272, 383, 394], 'work.': [231], 'First,': [232], 'actual': [233], 'quotations': [235], 'such': [236], 'as': [237], 'those': [238], 'from': [239, 360, 390, 400], 'Beethoven': [240], 'Schubert': [242], 'inhabit': [243], 'texts.': [245], 'Second,': [246], 'structural': [247], 'da': [251], 'capo': [252], 'are': [253, 500], 'metaphorically': [254], 'employed.': [255], 'Third,': [256], 'perhaps': [258], 'most': [259, 262], 'striking': [260], 'yet': [261], 'neglected': [263], 'terms': [265], 'scholarship,': [267], 'development': [270], 'later': [273], 'prose,': [274], 'something': [276], 'term': [278], '“semantic': [279], 'fluidity”,': [280], 'erosion': [282], 'explicit': [284], 'meaning': [285], 'brought': [286], 'about': [287], 'through': [288], 'extensive': [290], 'use': [291, 349], 'repetition': [293, 321, 340], 'influenced': [295], 'reading': [298], 'Schopenhauer’s': [300], 'philosophy': [301], 'music.': [303], 'It': [304], 'third': [307], 'category': [308], 'becomes': [310], 'basis': [312], 'my': [314], 'explorations,': [315], 'progressive': [318], 'taxonomy': [319], 'developed': [323], 'can': [325], 'applied': [327], 'transmedially': [328], 'Engaging': [334], 'wide': [337], 'range': [338], 'theory': [341], 'issues,': [344], 'thesis': [346, 424], 'compares': [347], 'device': [352], 'various': [354], 'forms': [355], 'literature': [357], 'alliterative': [361], 'verse': [362], 'refrains': [364], 'minimalism': [366], 'noise.': [368], '\r\n\r\nBeckett’s': [369], 'writing': [370], 'attracted': [372], 'attention': [374], 'numerous': [376], 'composers.': [378], 'New': [379], 'based': [381], 'novels,': [384], 'plays': [385], 'poems': [387], 'ranged': [389], 'direct': [391], 'settings': [392], 'text': [395], 'abstract': [397], 'instrumental': [398], 'pieces,': [399], 'solo': [403], 'prepared': [404], 'piano.': [405], 'order': [407, 462, 491], 'investigate': [409], 'why': [410], 'composers': [411], 'have': [412], 'been': [413], 'drawn': [414], 'writer’s': [417], 'work,': [418], 'second': [420], 'part': [421], 'focuses': [425], 'Beckett-inspired': [428], 'experimental': [431], 'composer': [432], 'Morton': [433], 'Feldman': [434], 'structured': [437], 'improvisations': [438], 'avant-jazz': [440], 'guitarist': [441], 'Scott': [442], 'Fields.': [443], 'The': [444], 'importance': [445], 'modern': [450], 'will': [452], 'positioned': [454], 'alongside': [455], 'author’s': [457], 'own': [458], 'aesthetic,': [460], 'address': [464], 'larger': [466], 'issues': [467], 'inherent': [468], 'studies.': [476], 'Repetition—one': [477], 'key': [480], 'factors': [481], 'musicians’': [483], 'connection': [484], 'Beckett—will': [486], 'explored': [488], 'theoretically': [489], 'question': [493], 'what': [494], 'happens': [495], 'when': [496], 'repetitions': [497], 'translated': [501], 'beyond': [504], 'Beckett.': [505]}, 'cited_by_api_url': 'https://api.openalex.org/works?filter=cites:W2152672565', 'counts_by_year': [], 'updated_date': '2024-12-14T20:10:31.136378', 'created_date': '2016-06-24'}