Title: Policing the Black Woman's Body in an Urban Context
Abstract: Previous articleNext article No AccessPolicing the Black Woman's Body in an Urban ContextHazel V. CarbyHazel V. Carby Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 18, Number 4Summer, 1992Identities Article DOIhttps://doi.org/10.1086/448654 Views: 280Total views on this site Citations: 189Citations are reported from Crossref Copyright 1992 The University of ChicagoPDF download Crossref reports the following articles citing this article:Brittany M. 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Woods Surrogate selves: notes on anti-trafficking and anti-blackness, Social Identities 19, no.11 (Feb 2013): 120–134.https://doi.org/10.1080/13504630.2012.753348 Introduction, (Jan 2013): 1–37.https://doi.org/10.1215/9780822397564-001 Mooring a New Global Order between Cairo and Rio de Janeiro, (Jan 2013): 39–64.https://doi.org/10.1215/9780822397564-002 Policing the Perversions of Globalization in Rio de Janeiro and Cairo, (Jan 2013): 65–98.https://doi.org/10.1215/9780822397564-003 Muhammad Atta's Urbanism, (Jan 2013): 99–138.https://doi.org/10.1215/9780822397564-004 Saving the Cradle of Samba in Rio de Janeiro, (Jan 2013): 139–171.https://doi.org/10.1215/9780822397564-005 Operation Princess in Rio de Janeiro, (Jan 2013): 172–199.https://doi.org/10.1215/9780822397564-006 Feminist Insurrections and the Egyptian Revolution, (Jan 2013): 200–233.https://doi.org/10.1215/9780822397564-007 Conclusion, (Jan 2013): 235–252.https://doi.org/10.1215/9780822397564-008 Notes, (Jan 2013): 253–259.https://doi.org/10.1215/9780822397564-009 References, (Jan 2013): 261–295.https://doi.org/10.1215/9780822397564-010Elizabeth Stinson Means of Detection: A Critical Archiving of Black Feminism and Punk Performance, Women & Performance: a journal of feminist theory 22, no.2-32-3 (Jul 2012): 275–311.https://doi.org/10.1080/0740770X.2012.720827Aisha Durham “Check On It”, Feminist Media Studies 12, no.11 (Mar 2012): 35–49.https://doi.org/10.1080/14680777.2011.558346Tyrone R. Simpson In a World with No Address, (Jan 2012): 175–218.https://doi.org/10.1057/9781137014894_6Simone C. Drake Craig Brewer and Kara Walker, (Jan 2012): 29–47.https://doi.org/10.1057/9781137077950_3Doreen M. Drury Love, Ambition, and “Invisible Footnotes” in the Life and Writing of Pauli Murray, (Jan 2012): 69–84.https://doi.org/10.1057/9781137077950_5 Introduction, (Jan 2012): 1–20.https://doi.org/10.1215/9780822394457-001 Family Touches, (Jan 2012): 35–70.https://doi.org/10.1215/9780822394457-003 Orphan Photos, Fugitive Images, (Jan 2012): 83–114.https://doi.org/10.1215/9780822394457-004 The Lyric of the Archive, (Jan 2012): 129–198.https://doi.org/10.1215/9780822394457-005 Epilogue, (Jan 2012): 199–204.https://doi.org/10.1215/9780822394457-006 Notes, (Jan 2012): 205–222.https://doi.org/10.1215/9780822394457-007 Bibliography, (Jan 2012): 223–230.https://doi.org/10.1215/9780822394457-008Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Introduction, (Jul 2010): 1–12.https://doi.org/10.1215/9780822392170-001Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Producing Consumption, (Jul 2010): 13–66.https://doi.org/10.1215/9780822392170-002Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Maxixe's Travels, (Jul 2010): 67–94.https://doi.org/10.1215/9780822392170-003Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Nation Drag, (Jul 2010): 136–178.https://doi.org/10.1215/9780822392170-005Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Black Mothers, Citizen Sons, (Jul 2010): 206–234.https://doi.org/10.1215/9780822392170-007Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Conclusion, (Jul 2010): 235–239.https://doi.org/10.1215/9780822392170-008Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Notes, (Jul 2010): 243–320.https://doi.org/10.1215/9780822392170-009Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Bibliography, (Jul 2010): 323–365.https://doi.org/10.1215/9780822392170-010Samantha Holland The thrill of the ‘chase film’: women, fairies, and narrativization in Jack the Kisser, Early Popular Visual Culture 8, no.22 (May 2010): 169–187.https://doi.org/10.1080/17460651003688147Rolland Murray The Time of Breach: Class Division and the Contemporary African American Novel, Novel 43, no.11 (May 2010): 11–17.https://doi.org/10.1215/00295132-2009-056Tiffany Willoughby-Herard ‘I'll Give You Something to Cry About’: The Intraracial Violence of Uplift Feminism in the Carnegie Poor White Study Volume, The Mother and Daughter of the Poor Family, South African Review of Sociology 41, no.11 (Apr 2010): 78–104.https://doi.org/10.1080/21528581003676044Angelique C. Harris Sex, Stigma, and the Holy Ghost: The Black Church and the Construction of AIDS in New York City, Journal of African American Studies 14, no.11 (Sep 2009): 21–43.https://doi.org/10.1007/s12111-009-9105-6Stephen Knadler De-regulating the History of African American Body Politics, Safundi 10, no.33 (Jul 2009): 343–350.https://doi.org/10.1080/17533170903021005Aisha S. Durham Behind Beats and Rhymes: Working Class from a Hampton Roads Hip Hop Homeplace, Policy Futures in Education 7, no.22 (Jan 2009): 217–229.https://doi.org/10.2304/pfie.2009.7.2.217Charlton Copeland “Fists and the Voices of Sorrowful Women”, (Jan 2009): 131–158.https://doi.org/10.1057/9780230101722_9 Playing Politics, (Jan 2009): 95–135.https://doi.org/10.1215/9780822392170-004 Another “Global Vision”, (Jan 2009): 179–205.https://doi.org/10.1215/9780822392170-006 Discography, (Jan 2009): 321–321.https://doi.org/10.1215/9780822392170-012Daphne A. Brooks “All That You Can't Leave Behind”: Black Female Soul Singing and the Politics of Surrogation in the Age of Catastrophe, Meridians: feminism, race, transnationalism 8, no.11 (Oct 2008): 180–204.https://doi.org/10.2979/MER.2008.8.1.180Mireille Miller-Young Hip-Hop Honeys and Da Hustlaz: Black Sexualities in the New Hip-Hop Pornography, Meridians: feminism, race, transnationalism 8, no.11 (Oct 2008): 261–292.https://doi.org/10.2979/MER.2008.8.1.261João H. Costa Vargas Jazz and Male Blackness: The Politics of Sociability in South Central Los Angeles, Popular Music and Society 31, no.11 (Feb 2008): 37–56.https://doi.org/10.1080/03007760601062983 Introduction, (Jan 2008): 1–28.https://doi.org/10.1215/9780822389224-001 Separated At “Birth”, (Jan 2008): 31–47.https://doi.org/10.1215/9780822389224-003 With Lovie and Lil, (Jan 2008): 48–63.https://doi.org/10.1215/9780822389224-004 Gender, Jazz, and the Popular Front, (Jan 2008): 64–89.https://doi.org/10.1215/9780822389224-005 “The Battle Of the Saxes”, (Jan 2008): 90–128.https://doi.org/10.1215/9780822389224-006 Identity for Sale, (Jan 2008): 129–154.https://doi.org/10.1215/9780822389224-007 From the Point of View of the Pavement, (Jan 2008): 157–179.https://doi.org/10.1215/9780822389224-009 Perverse Hysterics, (Jan 2008): 180–209.https://doi.org/10.1215/9780822389224-010 “Born Out of Jazz . . . Yet Embracing all Music”, (Jan 2008): 210–234.https://doi.org/10.1215/9780822389224-011 “But This Music Is Mine Already!”, (Jan 2008): 235–266.https://doi.org/10.1215/9780822389224-012 Fitting the Part, (Jan 2008): 267–288.https://doi.org/10.1215/9780822389224-013 “Better a Jazz Album Than Lipstick” (Lieber Jazzplatte Als Lippenstift), (Jan 2008): 291–319.https://doi.org/10.1215/9780822389224-015 Exclusion, Openness, and Utopia In Black Male Performance at the World Stage Jazz Jam Sessions, (Jan 2008): 320–347.https://doi.org/10.1215/9780822389224-016Farah Jasmine Griffin “It Takes Two People to Confirm the Truth”, (Jan 2008): 348–360.https://doi.org/10.1215/9780822389224-017Nicole T. 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Publication Year: 1992
Publication Date: 1992-07-01
Language: en
Type: article
Indexed In: ['crossref']
Access and Citation
Cited By Count: 279
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