Title: The Pontydian Performance: the performative layer
Abstract: In this paper we reflect on the performer–instrument relationship by turning towards the thinking practices of the French philosopher Maurice Merleau-Ponty (1908–1961). Merleau-Ponty’s phenomenological idea of the body as being at the centre of the world highlights an embodied position in the world and bestows significance onto the body as a whole, onto the body as a lived body. In order to better understand this two-way relationship of instrument and performer, we introduce the notion of the performative layer , which emerges through strategies for dealing with discontinuities, breakdowns and the unexpected in network performance.
Publication Year: 2009
Publication Date: 2009-06-29
Language: en
Type: article
Indexed In: ['crossref']
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Cited By Count: 10
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