Abstract:Contents: Foreword, Sebastian Chan Preface Performing digital: an introduction, David Carlin and Laurene Vaughan. Section I Proposing: Time and narrative in the digital archive: on account of a circus...Contents: Foreword, Sebastian Chan Preface Performing digital: an introduction, David Carlin and Laurene Vaughan. Section I Proposing: Time and narrative in the digital archive: on account of a circus, David Carlin The pulse in the past, Ross Gibson 12 statements for archival flatness, Adrian Miles Performance, practice and presence: design parameters for the Living Archive, Laurene Vaughan Transition 1: methods, Laetitia Shand. Section II Making: Representing digital collections, Mitchell Whitelaw Design of system architecture for the Circus Oz Living Archive, James A. Thom Designing in the Living Archive: software and representation, Reuben Stanton Clues for temporal segmentation of circus videos into acts, Lukman Iwan Transition 2: voices from the archive, Laetitia Shand. Section III Using: Breathing life into research mediation, Andrew Morrison, Timo Arnall, Kjetil Nordby and Even Westvang Live performance research: digitised circus, Peta Tait Circus Oz: a reflection, Jane Mullett 'And now, before your very eyes': the circus act and the archive, Kim Baston. Coda: Performing research in the creative arts, design and digital humanities: a dialogue, David Carlin and Laurene Vaughan. Index.Read More
Publication Year: 2016
Publication Date: 2016-03-03
Language: en
Type: book
Indexed In: ['crossref']
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Cited By Count: 5
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