Title: Devotional Music in the Iberian World, 1450–1800: The Villancico and Related Genres
Abstract: Contents: Preface Introduction, Tess Knighton and Aulvaro Torrente Waving ensaladas, Pepe Rey Song migrations: the case of AdorA!moste, SeA+-or, Tess Knighton The villancico in the works of early Castilian playwrights (with a note on the function and performance of the musical parts), Alberto del RA-o Function and liturgical context of the villancico in Salamanca Cathedral, Aulvaro Torrente 'The third villancico was a motet': the villancico and related genres, Andrea Bombi The villancico as music of state in 17th-century Spain, Pablo-L. RodrA-guez Religiosity, power and aspects of social representation in the villancicos of the Portuguese Royal Chapel, Rui Cabral Lopes 'Music charms the senses...': devotional music in the Triunfos festivos of San Gines, Madrid, 1656, Janet Hathaway A literary and typological study of the late 17th-century villancico, Alain Begue Pastorelas and the pastoral tradition in 18th-century Spanish villancicos, Pilar Ramos LA^3pez The noAl A grand chAur of south-western France and the Iberian villancico: towards a comparison, BenoA(R)t Michel De rosas cercada: music by Francisco de la Huerta for the nuns of Santa Ana de Auvila (1767-78), MarA-a Gembero UstA!rroz Historical and literary vestiges of the villancico in the early modern Philippines, David Irving The 'ethnic villancico' and racial politics in 17th-century Mexico, Geoffrey Baker The popular, the sacred, the colonial and the local: the performance of identities in the villancicos from Sucre (Bolivia), Bernardo Illari Bibliography Index.
Publication Year: 2016
Publication Date: 2016-07-06
Language: en
Type: book
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Cited By Count: 72
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