Abstract: Recording engineers are often charged with making recordings ’in-field’ that require artistic and creative judgements to made. Timbral fidelity, unlike per- ceived loudness or frequency response, is the least well understood and diffi- cult to control of perceptual characteristics. The long-term goal of this work is to provide a statistically valid ‘rule of thumb’ for the recording engineer wishing to achieve specific timbral characteristics in their location recordings, by evaluating a range of recordings with acoustical and perceptual measures. This poster presents the current methodology - recording with multiple mi- crophones, followed by acoustical analysis, listener evaluation and statistical analysis. The accompanying presentation will demonstrate example sound files from the stimulus set for the audience to experience.
Publication Year: 2011
Publication Date: 2011-01-01
Language: en
Type: article
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